I'm on time.
The road moves
under the car
against the grain
or all the same
still at war
and going back
for more
no time to
wave. Continuous
disruption
thoughts that lapse
into the lack
of continuity
dark morning brings.
Thursday, October 22, 2009
Thursday, October 15, 2009
Oh Yes
Yesterday I died.
It was my third and final time.
At least at last
there is no more
falling leaves
hostility.
I should have been a pair of retractable claws
clicking across the hardwood floors
of quiet living rooms.
Death fit around me
like a brand new sock.
Over-the-calf,
tube,
the way life entered:
I in
you, I in
you, I in you.
No idea what to do
with myself now.
All of the people I loved
are here except
of course the ones down
there.
Only there is no up,
no down. No here here.
I saw you standing on our maple tree
on the lowest branch
no human can reach
and you were smiling
not remembering that I was gone.
“Good times, good times.”
A fatal belief in things
coming together.
Cartoons shout Hooray
therefore I was
OK with my children watching
them in moderation.
The white breath of waiting
for the bus
against the multi-colored leaves
in late October . . .
where I would have been
today.
As a century is
something only thought of.
Yesterday I died.
My daughter climbed our tree
three years from now.
It was my third and final time.
At least at last
there is no more
falling leaves
hostility.
I should have been a pair of retractable claws
clicking across the hardwood floors
of quiet living rooms.
Death fit around me
like a brand new sock.
Over-the-calf,
tube,
the way life entered:
I in
you, I in
you, I in you.
No idea what to do
with myself now.
All of the people I loved
are here except
of course the ones down
there.
Only there is no up,
no down. No here here.
I saw you standing on our maple tree
on the lowest branch
no human can reach
and you were smiling
not remembering that I was gone.
“Good times, good times.”
A fatal belief in things
coming together.
Cartoons shout Hooray
therefore I was
OK with my children watching
them in moderation.
The white breath of waiting
for the bus
against the multi-colored leaves
in late October . . .
where I would have been
today.
As a century is
something only thought of.
Yesterday I died.
My daughter climbed our tree
three years from now.
Thursday, October 08, 2009
This Morning
A blue jay splits
the arborvitae screen;
a tight blue-green spiral
launched from the hand of
my three-year-old son.
the arborvitae screen;
a tight blue-green spiral
launched from the hand of
my three-year-old son.
This Morning
Cold fog over Candlewood Lake;
upside down on the rocks
a white row boat points the way out.
upside down on the rocks
a white row boat points the way out.
Friday, September 25, 2009
Nonsense
We are a sculpture
or an open
book? We accumulate
no detail in time.
We reside in our tent
of fire. Remember when
we froze too big to think.
Hushed little creatures
under the sea of
some raptor-named
fantasy world.
Smoke waves
against the sky's lost page
we no longer stand.
or an open
book? We accumulate
no detail in time.
We reside in our tent
of fire. Remember when
we froze too big to think.
Hushed little creatures
under the sea of
some raptor-named
fantasy world.
Smoke waves
against the sky's lost page
we no longer stand.
Thursday, September 24, 2009
This Morning
Water boiling for Vaughn's oatmeal
in the kitchen behind me.
Chorus of “surf's up, surf's up,
ho daddy, ho daddy,” coming from
the living room where Vaughn and Dash
are kneeling on the hardwood floor.
Harsh hush of cars rushing by outside.
Sharma's claws tug at her ottoman
tucked under the desk
in the dining room. I stir
the oatmeal and bring it to my daughter
not because she asked politely
but because we must be going soon.
in the kitchen behind me.
Chorus of “surf's up, surf's up,
ho daddy, ho daddy,” coming from
the living room where Vaughn and Dash
are kneeling on the hardwood floor.
Harsh hush of cars rushing by outside.
Sharma's claws tug at her ottoman
tucked under the desk
in the dining room. I stir
the oatmeal and bring it to my daughter
not because she asked politely
but because we must be going soon.
Wednesday, September 23, 2009
Proverbial Sonnet (55)
A movie's a fine bulwark against time
but nothing outlives a powerful rhyme
like an insect of radiation-resistant airs.
I should have been a cluster of spiky hairs
stretching out and vibrating my wings
intuitively as I play my courtship songs.
My hate is a purple hydrangea that stings:
a yellowjacket tucked under mophead poms
with hard-shelled face and long black-seed eyes
and well-developed primitive mouthparts
for capturing and chewing what I should
have been. My hate is a minor pollinator,
a sweet-toothed scavenger disrupting picnics
and, nest-back, passing it on in trophallaxis.
but nothing outlives a powerful rhyme
like an insect of radiation-resistant airs.
I should have been a cluster of spiky hairs
stretching out and vibrating my wings
intuitively as I play my courtship songs.
My hate is a purple hydrangea that stings:
a yellowjacket tucked under mophead poms
with hard-shelled face and long black-seed eyes
and well-developed primitive mouthparts
for capturing and chewing what I should
have been. My hate is a minor pollinator,
a sweet-toothed scavenger disrupting picnics
and, nest-back, passing it on in trophallaxis.
Tuesday, September 22, 2009
Yesterday Morning
Tumbles of low fog
over Lake Lillinonah;
an empty parking lot
of dandelion seed heads.
over Lake Lillinonah;
an empty parking lot
of dandelion seed heads.
Monday, September 21, 2009
This Morning
Cold morning
Gas pains
I was trying to think
Of something that
Was there
What time is
Dew
Some attack
Is coming
Gas pains
I was trying to think
Of something that
Was there
What time is
Dew
Some attack
Is coming
Saturday, September 19, 2009
Long Coat Variations
I know that long coat.
I know that gray
striding through
the lost grass
of the golden brown
plains. I know
because I was there
watching through
the hole in the sky
just over the horizon
through which that long
coat man
was being shot,
framed by silence
like any old word
exactly placed,
and moving that way, too.
*
I remember turning
to my invisible sheriff
and sneering, “See you
in hell,” then pulling
the trigger and watching
him fall
back into the trough.
My teeth, like saloon doors
stopped mid-swing,
flashed as I smiled
at the splash and the blood
rivering through the white-
shirt valleys, out of
his chest and into the water.
I turned back, I suppose,
to the big black steed
my eight-year-old self
could never really mount.
*
It's been a long time.
It's a long time
coat. The buttons
on the coat
are entrances
to the cave
in which I am buried.
Let me show you.
*
In love, one
is Jesse James,
and the other,
Meramec Caverns.
*
The long coat
hanging like
a shadow from
the lowest limb
of the bare-
branched years.
Someone was
inside?
*
I will show you
the cave later.
I used to go there
often. A wild
cat would take me.
It's been a long
branching out
in the opposite
direction. I
don't remember
exactly what
it was that used
to rip me up
and take my bones
for firewood
that I might visit
with the sky—
an animal
or spirit man
from the forest
of dark long coats?
I know that gray
striding through
the lost grass
of the golden brown
plains. I know
because I was there
watching through
the hole in the sky
just over the horizon
through which that long
coat man
was being shot,
framed by silence
like any old word
exactly placed,
and moving that way, too.
*
I remember turning
to my invisible sheriff
and sneering, “See you
in hell,” then pulling
the trigger and watching
him fall
back into the trough.
My teeth, like saloon doors
stopped mid-swing,
flashed as I smiled
at the splash and the blood
rivering through the white-
shirt valleys, out of
his chest and into the water.
I turned back, I suppose,
to the big black steed
my eight-year-old self
could never really mount.
*
It's been a long time.
It's a long time
coat. The buttons
on the coat
are entrances
to the cave
in which I am buried.
Let me show you.
*
In love, one
is Jesse James,
and the other,
Meramec Caverns.
*
The long coat
hanging like
a shadow from
the lowest limb
of the bare-
branched years.
Someone was
inside?
*
I will show you
the cave later.
I used to go there
often. A wild
cat would take me.
It's been a long
branching out
in the opposite
direction. I
don't remember
exactly what
it was that used
to rip me up
and take my bones
for firewood
that I might visit
with the sky—
an animal
or spirit man
from the forest
of dark long coats?
Friday, September 18, 2009
Wednesday, September 16, 2009
A Sheltering Sky
Aurora borealis, born to dance . . .
Sidereal glaciers, love's invisible spiders.
Home is wherever I'm squatting with
Elvis houseflies in my hair.
Looking at the fjords of night between
The blue punk rock clouds, I recline and
Evaporate like juice in a pan. We sleep on
Rooftops whenever we dream, secretly
Inviting the leopards and cobras of
Night to stride and slither to our sides as we
Grind our teeth and sharpen our minds.
Solar winds, track changes, due north.
Karmic evolution, born to boot . . .
Yellow teeth of the sun tease my arm.
________
In memory of Jim Carroll
August 1, 1949 – September 11, 2009
And partly in response to Politely Homicidal's call for acrostic poems having to do with the sky
Sidereal glaciers, love's invisible spiders.
Home is wherever I'm squatting with
Elvis houseflies in my hair.
Looking at the fjords of night between
The blue punk rock clouds, I recline and
Evaporate like juice in a pan. We sleep on
Rooftops whenever we dream, secretly
Inviting the leopards and cobras of
Night to stride and slither to our sides as we
Grind our teeth and sharpen our minds.
Solar winds, track changes, due north.
Karmic evolution, born to boot . . .
Yellow teeth of the sun tease my arm.
________
In memory of Jim Carroll
August 1, 1949 – September 11, 2009
And partly in response to Politely Homicidal's call for acrostic poems having to do with the sky
Tuesday, September 15, 2009
Proverbial Sonnet (54)
We topped our Boboli with garlic and anchovies
and kissed so much we burnt the crust. We took
our halves into our first own living room
and sat down with a quilt on the worn blue rug
in front of the TV because we still didn't have
any furniture yet. I Shot Andy Warhol
was originally planned as a documentary
but the filmmakers found almost no footage
of Solanas or anyone to talk about her.
We fell in love with Lili Taylor for a little while,
and after, we wrapped around each other
like a metaphor. Puzzle pieces across
the floor, we snapped into. You had the hair
of a young Bernadette Mayer that year.*
______
*I was picturing Mayer's photo as I
remembered it from in the back of An
Anthology of New York Poets. I thought
KC looked a bit like the little face
in that photo of Mayer in those days.
I don't have a copy of that anthology
on hand, but I think I still remember
the picture well enough to describe it:
swimming sleep, the waves mail,
December sun, soft April sky,
September notebook, snowy July,
eventual belly, zippered smile:
a lot of action in that captured lack
of motion, entire movements to understand.
and kissed so much we burnt the crust. We took
our halves into our first own living room
and sat down with a quilt on the worn blue rug
in front of the TV because we still didn't have
any furniture yet. I Shot Andy Warhol
was originally planned as a documentary
but the filmmakers found almost no footage
of Solanas or anyone to talk about her.
We fell in love with Lili Taylor for a little while,
and after, we wrapped around each other
like a metaphor. Puzzle pieces across
the floor, we snapped into. You had the hair
of a young Bernadette Mayer that year.*
______
*I was picturing Mayer's photo as I
remembered it from in the back of An
Anthology of New York Poets. I thought
KC looked a bit like the little face
in that photo of Mayer in those days.
I don't have a copy of that anthology
on hand, but I think I still remember
the picture well enough to describe it:
swimming sleep, the waves mail,
December sun, soft April sky,
September notebook, snowy July,
eventual belly, zippered smile:
a lot of action in that captured lack
of motion, entire movements to understand.
Monday, September 14, 2009
A Modest Response
Was
it
all
we
could
bear?
Bear
was
Could
it
be
all?
All
bare,
we
saw
it
could
cloud
all.
It,
bare,
was
wee.
We
would
caw,
pall
bear
it.
It
was
bear.
Could
was
all.
It was all
we could bear.
__________________________________
In memory of Tom Sullivan,
Jul 22, 1938 – Sep 10, 2009
it
all
we
could
bear?
Bear
was
Could
it
be
all?
All
bare,
we
saw
it
could
cloud
all.
It,
bare,
was
wee.
We
would
caw,
pall
bear
it.
It
was
bear.
Could
was
all.
It was all
we could bear.
__________________________________
In memory of Tom Sullivan,
Jul 22, 1938 – Sep 10, 2009
Friday, September 11, 2009
Hum
by Ann Lauterbach
The days are beautiful
The days are beautiful.
I know what days are.
The other is weather.
I know what weather is.
The days are beautiful.
Things are incidental.
Someone is weeping.
I weep for the incidental.
The days are beautiful.
Where is tomorrow?
Everyone will weep.
Tomorrow was yesterday.
The days are beautiful.
Tomorrow was yesterday.
Today is weather.
The sound of the weather
Is everyone weeping.
Everyone is incidental.
Everyone weeps.
The tears of today
Will put out tomorrow.
The rain is ashes.
The days are beautiful.
The rain falls down.
The sound is falling.
The sky is a cloud.
The days are beautiful.
The sky is dust.
The weather is yesterday.
The weather is yesterday.
The sound is weeping.
What is this dust?
The weather is nothing.
The days are beautiful.
The towers are yesterday.
The towers are incidental.
What are these ashes?
Here is the hate
That does not travel.
Here is the robe
That smells of the night
Here are the words
Retired to their books
Here are the stones
Loosed from their settings
Here is the bridge
Over the water
Here is the place
Where the sun came up
Here is a season
Dry in the fireplace.
Here are the ashes.
The days are beautiful.
The days are beautiful
The days are beautiful.
I know what days are.
The other is weather.
I know what weather is.
The days are beautiful.
Things are incidental.
Someone is weeping.
I weep for the incidental.
The days are beautiful.
Where is tomorrow?
Everyone will weep.
Tomorrow was yesterday.
The days are beautiful.
Tomorrow was yesterday.
Today is weather.
The sound of the weather
Is everyone weeping.
Everyone is incidental.
Everyone weeps.
The tears of today
Will put out tomorrow.
The rain is ashes.
The days are beautiful.
The rain falls down.
The sound is falling.
The sky is a cloud.
The days are beautiful.
The sky is dust.
The weather is yesterday.
The weather is yesterday.
The sound is weeping.
What is this dust?
The weather is nothing.
The days are beautiful.
The towers are yesterday.
The towers are incidental.
What are these ashes?
Here is the hate
That does not travel.
Here is the robe
That smells of the night
Here are the words
Retired to their books
Here are the stones
Loosed from their settings
Here is the bridge
Over the water
Here is the place
Where the sun came up
Here is a season
Dry in the fireplace.
Here are the ashes.
The days are beautiful.
Wednesday, September 09, 2009
Complex Social Structure
Boil water
pour it over
the idea of war
rises
through sinuses
*
Driving through fog
with dog
in the back
of the pickup
“songs of love and songs of death”
open window
songs that bark
at trees
fog lifting
leaves
*
Hot shower
the hour
friendly fire
wipe tile
crawl
enormity
back to sleep
*
Afterthought rains
mud brains
“If I get back home . . .”
NOISE BOT
BUSTED TEES
homo sapiens
knees
*
Roof, roof
regarded
as dependent upon culture
*
On top of a
twig
twirling between
fingers
the little green
bud
more brown
*
Bumper sticker
shock and awe
YOUR VOTE COUNTS
What?
like bodies
*
REAL MEN
WIPE THEIR ASS WITH BARK
FUCK ME IF I'M WRONG
babe
*
Lift the tea bag
from the mug
the idea of war
pressed
in sunken chest
*
Turn on Angel
turn out light
watch
and forget
someone else
will write
pour it over
the idea of war
rises
through sinuses
*
Driving through fog
with dog
in the back
of the pickup
“songs of love and songs of death”
open window
songs that bark
at trees
fog lifting
leaves
*
Hot shower
the hour
friendly fire
wipe tile
crawl
enormity
back to sleep
*
Afterthought rains
mud brains
“If I get back home . . .”
NOISE BOT
BUSTED TEES
homo sapiens
knees
*
Roof, roof
regarded
as dependent upon culture
*
On top of a
twig
twirling between
fingers
the little green
bud
more brown
*
Bumper sticker
shock and awe
YOUR VOTE COUNTS
What?
like bodies
*
REAL MEN
WIPE THEIR ASS WITH BARK
FUCK ME IF I'M WRONG
babe
*
Lift the tea bag
from the mug
the idea of war
pressed
in sunken chest
*
Turn on Angel
turn out light
watch
and forget
someone else
will write
Proverbial Sonnet (53)
Good morning, kiss. You are awake. Today's back road
have blossomed behind my eyes. Ted Berrigan is alive.
The minute blue night was only pretending
to be awake. Your drive into work, a brown sliver
under the whirling print of an elegant finger, a middle finger
opening slowly in the direction of American Beauty.
American Beauty isn't only a movie. Good morning,
you, opening slowly, today's back roads, a kiss
in the direction of American Beauty. On the car windows,
commas, periods, and question marks of water —
no words wet this movie morning. A minute blue
blossomed drive beyond the wide rows of high brown
slivers. You are awake, on the back roads, which lead me away
from American Beauty, from behind my eyes, from the line,
“Ted Berrigan is alive.”
________
This is a knock-off. For the real deal, one of the most beautiful American poems, see Ted Berrigan's Sonnet XXXVII.
have blossomed behind my eyes. Ted Berrigan is alive.
The minute blue night was only pretending
to be awake. Your drive into work, a brown sliver
under the whirling print of an elegant finger, a middle finger
opening slowly in the direction of American Beauty.
American Beauty isn't only a movie. Good morning,
you, opening slowly, today's back roads, a kiss
in the direction of American Beauty. On the car windows,
commas, periods, and question marks of water —
no words wet this movie morning. A minute blue
blossomed drive beyond the wide rows of high brown
slivers. You are awake, on the back roads, which lead me away
from American Beauty, from behind my eyes, from the line,
“Ted Berrigan is alive.”
________
This is a knock-off. For the real deal, one of the most beautiful American poems, see Ted Berrigan's Sonnet XXXVII.
Labels:
poems,
Proverbial Sonnets,
sonnets,
ted berrigan
Tuesday, September 08, 2009
Another Quick Little School Bus Morning Poem
The bus stops and Vaughn
climbs on, finds her seat
beside two other girls.
No wave goodbye this time.
No looking out at
Ayla,* Dash, and me.
The bus moves on, leaving
its exhaust behind. The days
of the week go by
so many times, one loses
track, like Thomas the Train
rushing to make good time.
_________
* Ayla is the Japanese Maple we planted in our front yard last year, named by Vaughn.
climbs on, finds her seat
beside two other girls.
No wave goodbye this time.
No looking out at
Ayla,* Dash, and me.
The bus moves on, leaving
its exhaust behind. The days
of the week go by
so many times, one loses
track, like Thomas the Train
rushing to make good time.
_________
* Ayla is the Japanese Maple we planted in our front yard last year, named by Vaughn.
Monday, September 07, 2009
Cultural Moment I Completely Missed: The Book Trailer
Evidently there have been trailers for books for a few years now (so sayeth Wikipedia). It's funny that “book trailer” is a trademarked term. (I guess it doesn't take much.) There are only 35,000 views, though, so I'm not sure how well this new marketing method is working out for publishers. Probably that's a great number for literary fiction, even a crossover novel like this one. But it's Penguin. They had to be hoping for more hits in the first month that that. Maybe they're rookies at viral marketing, or maybe 35,000 really does kick ass under the circumstances and I just don't get it.
As counterpoint to the trailer, Louis Menand's New Yorker review.
Hat tip: Elektra Luxx.
One-Line Manifestos
Just posted these as a comment to a great little article by Robert Archambeau over at the Poetry Foundation.
ONE-LINE MANIFESTO:
Don't pay anyone to read your work.
ONE-LINE MANIFESTO:
Don't play their game; make your own.
ONE-LINE MANIFESTO:
Shut the door so you can leave.
ONE-LINE MANIFESTO:
Dress like a pig and hiss like a snake.
ONE-LINE MANIFESTO:
Your poems may be food, but not to the homeless.
ONE-LINE MANIFESTO:
Seal each of your poems in an envelope and mail them to random names in the phonebook.
ONE-LINE MANIFESTO:
I am a walking manifesto.
ONE-LINE MANIFESTO:
Short of breath is an urgent manifesto.
ONE-LINE MANIFESTO:
Poetry is a door; there is no outside.
ONE-LINE MANIFESTO:
Everything counts: syllables, words, caesuras, feet, none of the above, etc.
ONE-LINE MANIFESTO:
A poetics of place is neat, but the poetics of silence is real.
ONE-LINE MANIFESTO:
Poetry is its opposite.
ONE-LINE MANIFESTO:
An apple twice its size.
ONE-LINE MANIFESTO:
Nothing is relative, too.
ONE-LINE MANIFESTO:
Soldier on: you're not at war (but if you are, I'm sorry).
ONE-LINE MANIFESTO:
Freak.
ONE-LINE MANIFESTO:
Touch.
ONE-LINE MANIFESTO:
Sing.
ONE-LINE MANIFESTO:
Belch in public and be a peach behind the scenes.
ONE-LINE MANIFESTO:
Hold hands and be proud, but don't hold them high.
ONE-LINE MANIFESTO:
Don't be proud: You're not the name attached to your poems.
ONE-LINE MANIFESTO:
Your poetry is the garden you will enter when you die.
ONE-LINE MANIFESTO:
Don't pay anyone to read your work.
ONE-LINE MANIFESTO:
Don't play their game; make your own.
ONE-LINE MANIFESTO:
Shut the door so you can leave.
ONE-LINE MANIFESTO:
Dress like a pig and hiss like a snake.
ONE-LINE MANIFESTO:
Your poems may be food, but not to the homeless.
ONE-LINE MANIFESTO:
Seal each of your poems in an envelope and mail them to random names in the phonebook.
ONE-LINE MANIFESTO:
I am a walking manifesto.
ONE-LINE MANIFESTO:
Short of breath is an urgent manifesto.
ONE-LINE MANIFESTO:
Poetry is a door; there is no outside.
ONE-LINE MANIFESTO:
Everything counts: syllables, words, caesuras, feet, none of the above, etc.
ONE-LINE MANIFESTO:
A poetics of place is neat, but the poetics of silence is real.
ONE-LINE MANIFESTO:
Poetry is its opposite.
ONE-LINE MANIFESTO:
An apple twice its size.
ONE-LINE MANIFESTO:
Nothing is relative, too.
ONE-LINE MANIFESTO:
Soldier on: you're not at war (but if you are, I'm sorry).
ONE-LINE MANIFESTO:
Freak.
ONE-LINE MANIFESTO:
Touch.
ONE-LINE MANIFESTO:
Sing.
ONE-LINE MANIFESTO:
Belch in public and be a peach behind the scenes.
ONE-LINE MANIFESTO:
Hold hands and be proud, but don't hold them high.
ONE-LINE MANIFESTO:
Don't be proud: You're not the name attached to your poems.
ONE-LINE MANIFESTO:
Your poetry is the garden you will enter when you die.
GREAT! or Some Blogs of Note
The other day I was searching to see if anyone in the Wide World had posted Ted Berrigan's Sonnet XVII and found Robert Frost's Banjo. I've since been enjoying John Hayes's Banjo very much. It has great bloggy fare like today's Moose Tales, but what hooked me first was the Weekly Poem series, a great selection of poetry by many of favorite poets (Berrigan, Kenneth Patchen, Wallace Stevens, Frank O'Hara, Tom Clark).
Speaking of Tom Clark, he's been posting a lot of great work—poems old, poems new, some original translations—over at his Beyond The Pale blog. If anyone is a master of the lyric, it's him. Here's one of my all-time favorite poems by anybody from anyplace writing at anytime.
Even though I have submitted relatively little work to literary magazines since 1999 (a handful per year at most, excepting 2001 and, I think, 2003 which were a bit heavier than that) and had taken to posting blogbooks of old poems (mostly old, Sappho Does Hay(na)ku had been new[er] work), I hadn't taken the next step of foregoing magazine publication altogether (or virtually altogether, we'll see) and using Nobody here as as a place to post new poems as I write them. Two blogs in particular helped lead me to this leap, both regularly feature great poems by poets who are the real deal, whose works often enough make me envious, you know in a kind of calm resigned way, of their abilities: W.B. Keckler's Joe Brainard's Pyjamas and Todd Colby's Glee Farm.
Last but not least, Sephyrus by Rachel Andrews (it does sound like a sophisticated perfume or designer clothing line doesn't it?) has been a hotbed of words and images, with the same great art that's been there from the start and poetry painted with a minimalist style all her own.
Speaking of Tom Clark, he's been posting a lot of great work—poems old, poems new, some original translations—over at his Beyond The Pale blog. If anyone is a master of the lyric, it's him. Here's one of my all-time favorite poems by anybody from anyplace writing at anytime.
Even though I have submitted relatively little work to literary magazines since 1999 (a handful per year at most, excepting 2001 and, I think, 2003 which were a bit heavier than that) and had taken to posting blogbooks of old poems (mostly old, Sappho Does Hay(na)ku had been new[er] work), I hadn't taken the next step of foregoing magazine publication altogether (or virtually altogether, we'll see) and using Nobody here as as a place to post new poems as I write them. Two blogs in particular helped lead me to this leap, both regularly feature great poems by poets who are the real deal, whose works often enough make me envious, you know in a kind of calm resigned way, of their abilities: W.B. Keckler's Joe Brainard's Pyjamas and Todd Colby's Glee Farm.
Last but not least, Sephyrus by Rachel Andrews (it does sound like a sophisticated perfume or designer clothing line doesn't it?) has been a hotbed of words and images, with the same great art that's been there from the start and poetry painted with a minimalist style all her own.
Labor Day, 2009
Where am I at 9:58 on the morning in question,
unable to concentrate, unable to reach
the words I feel I need, knowing nobody really does.
The air outside is cool, but one thing's for sure:
I'm not out there. I'm inside somewhere
with heavy eyelids and sciatica, back to the kitchen
with its ticking clock. So I'm in the yellow room
with the computer and a bookcase of poetry.
Ted Berrigan is by my side. The sidewalks
of 6th and Bowery have been waiting for him,
but he's here in New Milford. He helped jump start
my car this morning so I could drive to Stop
& Shop and buy some stamps so I could mail
my letter to Tom Clark, and while I was there
I thought What the hell and bought a Powerball
quick pick for the first time in a couple of years
and if I win I have no idea what I'll do but I know
I'll quit my job and maybe become a publisher again
or move to New York, I don't know, maybe I would veg
and be a useless lazy rag on the sofa all day.
What was it I used to say? Why play the lottery?
If I won, I'd lose my edge. And edge is the most
important thing to a poet, more dear than life itself,
or at least that's how it seems. For some it was true,
for others, well, things change when you're handcuffed,
hooded, and have a pistol pressed against your skull,
so who's to say. The clock in the kitchen is really
there, ticking, ticking, ticking, shaking up
my nerves, driving me mad, but I don't want it
to stop. I dive into the pool of words inside me,
a kind of magic, fast and furious and almost free.
unable to concentrate, unable to reach
the words I feel I need, knowing nobody really does.
The air outside is cool, but one thing's for sure:
I'm not out there. I'm inside somewhere
with heavy eyelids and sciatica, back to the kitchen
with its ticking clock. So I'm in the yellow room
with the computer and a bookcase of poetry.
Ted Berrigan is by my side. The sidewalks
of 6th and Bowery have been waiting for him,
but he's here in New Milford. He helped jump start
my car this morning so I could drive to Stop
& Shop and buy some stamps so I could mail
my letter to Tom Clark, and while I was there
I thought What the hell and bought a Powerball
quick pick for the first time in a couple of years
and if I win I have no idea what I'll do but I know
I'll quit my job and maybe become a publisher again
or move to New York, I don't know, maybe I would veg
and be a useless lazy rag on the sofa all day.
What was it I used to say? Why play the lottery?
If I won, I'd lose my edge. And edge is the most
important thing to a poet, more dear than life itself,
or at least that's how it seems. For some it was true,
for others, well, things change when you're handcuffed,
hooded, and have a pistol pressed against your skull,
so who's to say. The clock in the kitchen is really
there, ticking, ticking, ticking, shaking up
my nerves, driving me mad, but I don't want it
to stop. I dive into the pool of words inside me,
a kind of magic, fast and furious and almost free.
Sunday, September 06, 2009
Remembering What Happened
1
I wasn't walking
or even moving
the leaves were
maybe rustling
but certainly not
falling as I saw
one on my lap.
2
So I guess I was sitting
under the maple
in the back yard
while my son chased
my daughter around
the peeling white garage
and my car on fire.
3
I could hear them
laughing and pretending
one was a werewolf
and the other a tree
nymph or dryad I guess
while my burning car
was Aslan in his glory.
4
There was no wind
to speak of still
the leaf on my lap
moved just a bit
when I thought of
the woman I love
who was staring at me.
5
From up in the tree
her face peering through
her hair like a small
waterfall around her
bare feet on one branch
hands gripping another
and it started to rain.
6
It rained only from her
hair or maybe her
eyes as my children
continued to run in mock
fear around the garage
and burning car
and I stood up to climb.
7
There wasn't a branch
low enough for me
to reach I started panting
for air as my love
Rapunzelled her hair
which soon covered
me like rapid water.
8
And then it was night
with my children inside
and probably asleep
as I reclined on a limb
high up in the tree
with the stars in my hair
my lover's fingertips.
9
I fell asleep in that tree
in the arms of my love
and when I awoke
I was in the driver's seat
of my car with red
and yellow flames
all shooting around me.
10
I sat in the burning car
my son chased my daughter
around the white garage
and my wife in the kitchen
was staring out the window
at me plucking a leaf
from the maple in the back.
I wasn't walking
or even moving
the leaves were
maybe rustling
but certainly not
falling as I saw
one on my lap.
2
So I guess I was sitting
under the maple
in the back yard
while my son chased
my daughter around
the peeling white garage
and my car on fire.
3
I could hear them
laughing and pretending
one was a werewolf
and the other a tree
nymph or dryad I guess
while my burning car
was Aslan in his glory.
4
There was no wind
to speak of still
the leaf on my lap
moved just a bit
when I thought of
the woman I love
who was staring at me.
5
From up in the tree
her face peering through
her hair like a small
waterfall around her
bare feet on one branch
hands gripping another
and it started to rain.
6
It rained only from her
hair or maybe her
eyes as my children
continued to run in mock
fear around the garage
and burning car
and I stood up to climb.
7
There wasn't a branch
low enough for me
to reach I started panting
for air as my love
Rapunzelled her hair
which soon covered
me like rapid water.
8
And then it was night
with my children inside
and probably asleep
as I reclined on a limb
high up in the tree
with the stars in my hair
my lover's fingertips.
9
I fell asleep in that tree
in the arms of my love
and when I awoke
I was in the driver's seat
of my car with red
and yellow flames
all shooting around me.
10
I sat in the burning car
my son chased my daughter
around the white garage
and my wife in the kitchen
was staring out the window
at me plucking a leaf
from the maple in the back.
Proverbial Sonnet (52)
If love ain't the ember in remember
then it's probably hate, or the shadow
of a pain so great it couldn't fade into
the light of day just around the corner
from any time, any place, mano
a mano, chest to chest, just me and you
and the open air, that kind of call to fight
like a rottweiler, to bite the proverbial leg
of the one you love, the one you hate, or the one
you masturbate in the forests of the night
all Tiger, tiger, forgetting the powder keg
of days and our flickering camp-fire brain.
Love, if you love me, think of me when you shower
as your animal soap and pegasus water.
then it's probably hate, or the shadow
of a pain so great it couldn't fade into
the light of day just around the corner
from any time, any place, mano
a mano, chest to chest, just me and you
and the open air, that kind of call to fight
like a rottweiler, to bite the proverbial leg
of the one you love, the one you hate, or the one
you masturbate in the forests of the night
all Tiger, tiger, forgetting the powder keg
of days and our flickering camp-fire brain.
Love, if you love me, think of me when you shower
as your animal soap and pegasus water.
Saturday, September 05, 2009
Proverbial Sonnet (51)
Content yourself with rice; reveal yourself
with tea. Be childlike and sandwich bag the seeds
of summer's watermelon compassion.
Souvenir not only any rocks and shells
from the days you staked your ground at the beach
but the paper parking pass as well. Cash in
all but one of your chips from the casino,
or no, shake, rattle, and roll with emptiness,
but emptiness meaning weight divided by
itself, not that ticking, clock-faced zero.
It's not the heat but the resulting sweat.
The pounding sun begets the day's black eye,
not heavy rain or snow, not hurricane winds.
It's the commonplace that exhausts all means and defeats all ends.
with tea. Be childlike and sandwich bag the seeds
of summer's watermelon compassion.
Souvenir not only any rocks and shells
from the days you staked your ground at the beach
but the paper parking pass as well. Cash in
all but one of your chips from the casino,
or no, shake, rattle, and roll with emptiness,
but emptiness meaning weight divided by
itself, not that ticking, clock-faced zero.
It's not the heat but the resulting sweat.
The pounding sun begets the day's black eye,
not heavy rain or snow, not hurricane winds.
It's the commonplace that exhausts all means and defeats all ends.
Labels:
poems,
Proverbial Sonnets,
proverbs,
sonnets
Friday, September 04, 2009
Dear Troubled Soul,
I don't know what you mean.
You look great in those jeans.
Stop picking your nose.
I have a problem for you
I know you can solve.
What kind of time are you
looking at? Does it feel
more like a flit or a flutter?
I want to believe you are
telling the truth. When you say
you're emotional do you mean
above or below the waist?
Let's see a show of hands.
See, the audience agrees:
It's time to get off the schnide
and be shaped for a purpose.
Be sharp. Know what I mean?
Not a stone, but a stone.
Forget cut and polished: split
that scene. Be a natural shade
at home in any light.
You look great in those jeans.
Stop picking your nose.
I have a problem for you
I know you can solve.
What kind of time are you
looking at? Does it feel
more like a flit or a flutter?
I want to believe you are
telling the truth. When you say
you're emotional do you mean
above or below the waist?
Let's see a show of hands.
See, the audience agrees:
It's time to get off the schnide
and be shaped for a purpose.
Be sharp. Know what I mean?
Not a stone, but a stone.
Forget cut and polished: split
that scene. Be a natural shade
at home in any light.
Thursday, September 03, 2009
Proverbial Sonnet (50)
Free will is a mountain. If you are moving
forget it. Turn on your radio and
detune it: the big bang can't be changed. Yet.
The crackle you hear is the echo from
a squirrel breaking an acorn open in
the shadow of a tree you can't not see
if you close your eyes and imagine that
furry irritable reaching after fact
with all of the pathos of climatology
or the arctic circle of a harp seal's birth—
let's go pick some elderberries. There is
no wisdom like elderberry wisdom.
Near wet ditches, dense thickets, or along
stream banks, we purple and break off easily.
forget it. Turn on your radio and
detune it: the big bang can't be changed. Yet.
The crackle you hear is the echo from
a squirrel breaking an acorn open in
the shadow of a tree you can't not see
if you close your eyes and imagine that
furry irritable reaching after fact
with all of the pathos of climatology
or the arctic circle of a harp seal's birth—
let's go pick some elderberries. There is
no wisdom like elderberry wisdom.
Near wet ditches, dense thickets, or along
stream banks, we purple and break off easily.
Labels:
poems,
Proverbial Sonnets,
proverbs,
sonnets
There's no losing the sky
There's no losing the sky;
it's a list of things that can't
be separated. I just killed
a gnat but wanted to call it
a fly because it rhymes
with sky and I'm traditional
like that. My blog is like
the rain which can't be separated
from the weather. I'm partly
cloudy myself with a chance
for showers tomorrow morning.
No, the sky's my school and
the sun's my principal and
when he calls me to his office,
which is just stepping outside,
I know my ass is pwned
because it can't be separated
from this haphazard soul.
it's a list of things that can't
be separated. I just killed
a gnat but wanted to call it
a fly because it rhymes
with sky and I'm traditional
like that. My blog is like
the rain which can't be separated
from the weather. I'm partly
cloudy myself with a chance
for showers tomorrow morning.
No, the sky's my school and
the sun's my principal and
when he calls me to his office,
which is just stepping outside,
I know my ass is pwned
because it can't be separated
from this haphazard soul.
Die Hard If
Die hard, if you're
right; die soft,
if you're wrong.
If you're wrong and
die hard, to hell
with you. If you're
right and die soft,
thanks anyway:
the world will leave
you fully forgiven.
right; die soft,
if you're wrong.
If you're wrong and
die hard, to hell
with you. If you're
right and die soft,
thanks anyway:
the world will leave
you fully forgiven.
Wednesday, September 02, 2009
Dash's Poem / Waiting for the bus to pickup Vaughn
It's sunny and cold outside.
A school bus goes by.
Why's the car wet?
It didn't rain.
I think maybe
we should play catch.
A school bus goes by.
Why's the car wet?
It didn't rain.
I think maybe
we should play catch.
Tuesday, September 01, 2009
Monday, August 31, 2009
Proverbial Sonnet (49)
In other words, you can lead a horse to water
but the bear, well, he eats you. Where do you go
from there? That's the burro in the valley waiting
for you to chinook your way down the holler
hillside. The deer that narrows across the road
to grok the other side chills, innovating
more intimately than most of us ever
will again. Nothing rocks north like a crow.
Get on that horse and cross-saw through the hate
of flies. Swat away time; anything clever
you cased inside, bandana, pack, and unload:
smoke out the force of comfort to contemplate
that patient valley burro who doesn't care
whether you dustle down or swivel in your chair.
but the bear, well, he eats you. Where do you go
from there? That's the burro in the valley waiting
for you to chinook your way down the holler
hillside. The deer that narrows across the road
to grok the other side chills, innovating
more intimately than most of us ever
will again. Nothing rocks north like a crow.
Get on that horse and cross-saw through the hate
of flies. Swat away time; anything clever
you cased inside, bandana, pack, and unload:
smoke out the force of comfort to contemplate
that patient valley burro who doesn't care
whether you dustle down or swivel in your chair.
Labels:
poems,
Proverbial Sonnets,
proverbs,
sonnets
Sunday, August 30, 2009
Proverbial Sonnet (48)
So, as a diminutive of sound, a small
something sung or musically spoken,
becoming in time mainly a matter of the noise
it makes, moving south to the north in squalls,
making invisible love corporeal bone
by bone, turn by turn, admitting the sighs,
the blatant woe and reckless considerations
of love's reverence, a makeshift hacksaw
grinding so from sound against the ball
and chain of careful call and rejection,
knowing thoughts without lips sit like arrows
without a bow, aiming for the lightning smile,
angel-grappling, sow-wrangling, slight refrain
all procreant urge and incisive pain.
something sung or musically spoken,
becoming in time mainly a matter of the noise
it makes, moving south to the north in squalls,
making invisible love corporeal bone
by bone, turn by turn, admitting the sighs,
the blatant woe and reckless considerations
of love's reverence, a makeshift hacksaw
grinding so from sound against the ball
and chain of careful call and rejection,
knowing thoughts without lips sit like arrows
without a bow, aiming for the lightning smile,
angel-grappling, sow-wrangling, slight refrain
all procreant urge and incisive pain.
Tonight We're Going To Party Like Prince
Tonight we're going to party like a little red corvette.
Tonight we're going to party like purple rain.
Tonight we're going to party like a raspberry beret.
Tonight we're going to party like when doves cry.
Tonight we're going to party like nothing compares 2 U.
Tonight we're going to party like the holy river.
Tonight we're going to party like America.
Tonight we're going to party like automatic.
Tonight we're going to party like the beautiful ones.
Tonight we're going to party like thunder.
Tonight we're going to party like diamonds and pearls.
Tonight we're going to party like controversy.
Tonight we're going to party like la-la means I love you.
Tonight we're going to party like how come u don't call me anymore.
Tonight we're going to party like i feel for you.
Tonight we're going to party like i hate u.
Tonight we're going to party like mountains
Tonight we're going to party like my name is Prince.
Tonight we're going to party like NYC.
Tonight we're going to party like Alphabet St.
Tonight we're going to party like space.
Tonight we're going to party like pink cashmere.
Tonight we're going to party like thieves in the temple.
Tonight we're going to party like a sign o' the times.
Tonight we're going to party like Mrs. Robinson.
Tonight we're going to party like the future.
Tonight we're going to party like the truth.
Tonight we're going to party like a peach.
Tonight we're going to party like cream.
Tonight we're going to party like purple rain.
Tonight we're going to party like a raspberry beret.
Tonight we're going to party like when doves cry.
Tonight we're going to party like nothing compares 2 U.
Tonight we're going to party like the holy river.
Tonight we're going to party like America.
Tonight we're going to party like automatic.
Tonight we're going to party like the beautiful ones.
Tonight we're going to party like thunder.
Tonight we're going to party like diamonds and pearls.
Tonight we're going to party like controversy.
Tonight we're going to party like la-la means I love you.
Tonight we're going to party like how come u don't call me anymore.
Tonight we're going to party like i feel for you.
Tonight we're going to party like i hate u.
Tonight we're going to party like mountains
Tonight we're going to party like my name is Prince.
Tonight we're going to party like NYC.
Tonight we're going to party like Alphabet St.
Tonight we're going to party like space.
Tonight we're going to party like pink cashmere.
Tonight we're going to party like thieves in the temple.
Tonight we're going to party like a sign o' the times.
Tonight we're going to party like Mrs. Robinson.
Tonight we're going to party like the future.
Tonight we're going to party like the truth.
Tonight we're going to party like a peach.
Tonight we're going to party like cream.
Proverbial Sonnet (47)
It's comforting to know that life is a
rough draft. Life is not a rough draft. It's more
of an improvisation, which is to say
it's like a rough draft that's final. Record
what happens, scoff and repent and be on our way
leaving behind those things we had in store
to share at least with those we loved if the day
had been uncluttered enough to allow for
those rough works, that sedimentary clay,
to come to light. Too sentimental? Sure,
but walking the picket line with mom when you're eight
will mark your words that way, your musical score
or iTunes playlist, your GarageBand remix. Tonight
we're going to party like when doves cry.
rough draft. Life is not a rough draft. It's more
of an improvisation, which is to say
it's like a rough draft that's final. Record
what happens, scoff and repent and be on our way
leaving behind those things we had in store
to share at least with those we loved if the day
had been uncluttered enough to allow for
those rough works, that sedimentary clay,
to come to light. Too sentimental? Sure,
but walking the picket line with mom when you're eight
will mark your words that way, your musical score
or iTunes playlist, your GarageBand remix. Tonight
we're going to party like when doves cry.
Saturday, August 29, 2009
Proverbial Sonnet (46)
When plans B, C, D, and E, all fail,
it helps to take a walk in the rain, maybe
bring an apple, kick a can along the ground.
Don't mind the sewers that remind you hell
sits under us at all times, how daily
we wrestle its static energy, hands tied
behind our backs, like bobbing for apples
in a cauldron of seething excitations.
“Then there is a time in life when you just take
a walk: and you walk in your own landscape”
and snap a few photos with your iPhone
to post on your blog with words like leaves that shake
as a nervous squirrel creeps out along their branch
and peeks at you for some sign of your plan.
it helps to take a walk in the rain, maybe
bring an apple, kick a can along the ground.
Don't mind the sewers that remind you hell
sits under us at all times, how daily
we wrestle its static energy, hands tied
behind our backs, like bobbing for apples
in a cauldron of seething excitations.
“Then there is a time in life when you just take
a walk: and you walk in your own landscape”
and snap a few photos with your iPhone
to post on your blog with words like leaves that shake
as a nervous squirrel creeps out along their branch
and peeks at you for some sign of your plan.
Proverbial Sonnet (45)
If this is part of a serial poem, I'm not
supposed to read what came before, what words
I put or fell together late last night.
But what do I care about cautions and theories
regarding the way I should make my poems
these days? I'll sit here and over-read
what I have writ if that's how I want to roll.
What's OK by Herrick is OK by me.
It takes more than two to flock together.
The line is a manner of looking things up.
Wing it, sing it, and bring it. Fling your feather
against the sky. Snip the paper cup
and pick the coated pieces for our new nest.
Theory's restless worm will lead us to it.
supposed to read what came before, what words
I put or fell together late last night.
But what do I care about cautions and theories
regarding the way I should make my poems
these days? I'll sit here and over-read
what I have writ if that's how I want to roll.
What's OK by Herrick is OK by me.
It takes more than two to flock together.
The line is a manner of looking things up.
Wing it, sing it, and bring it. Fling your feather
against the sky. Snip the paper cup
and pick the coated pieces for our new nest.
Theory's restless worm will lead us to it.
Friday, August 28, 2009
Proverbial Sonnet (44)
Who care's about the chicken or the egg?
What matters is more along the lines
of a fine mist: you can't feel it on your tongue
unless you stick it out. What matters is
a bad penny, the work that's never done,
a moss-covered stone louder than words.
After a storm comes, the day begins again.
What matters is the earth that angels fear
to tread; knowledge is up there in the clouds
for most of us to grab. What matters is
a puddle in the mud: there's no walking
around it. The rain is worth a thousand words
fools write down and rush to tell the world
about. What matters is a bird in the mouth.
What matters is more along the lines
of a fine mist: you can't feel it on your tongue
unless you stick it out. What matters is
a bad penny, the work that's never done,
a moss-covered stone louder than words.
After a storm comes, the day begins again.
What matters is the earth that angels fear
to tread; knowledge is up there in the clouds
for most of us to grab. What matters is
a puddle in the mud: there's no walking
around it. The rain is worth a thousand words
fools write down and rush to tell the world
about. What matters is a bird in the mouth.
Proverbial Sonnet (43)
It's like what the kids say: the heart is tangled
syrup wood. Love is a mangled metaphor,
an electric tiger stalking the avenues
searching for someone to play Scrabble with.
You hope it whispers a word or two to fill
in your rhyme scheme, but instead it opens wide,
grabs you around the waist, and wanders off
with your head and limbs dangling from its mouth.
You don't play Scrabble that way do you? With
a twenty-point bonus for making a word
that rhymes? Love does. It's wrenching. It takes the nuts
and bolts of the tangled tiger heart and twists—
lefty loosey, righty tigthy—until
its teeth dig through the engine of your mind.
syrup wood. Love is a mangled metaphor,
an electric tiger stalking the avenues
searching for someone to play Scrabble with.
You hope it whispers a word or two to fill
in your rhyme scheme, but instead it opens wide,
grabs you around the waist, and wanders off
with your head and limbs dangling from its mouth.
You don't play Scrabble that way do you? With
a twenty-point bonus for making a word
that rhymes? Love does. It's wrenching. It takes the nuts
and bolts of the tangled tiger heart and twists—
lefty loosey, righty tigthy—until
its teeth dig through the engine of your mind.
Thursday, August 27, 2009
Field Guide
How far have I come
into this field
and how much farther
can it go on?
I stand, looking out,
with no memory
of how I got started,
why I said Yes.
The tall grass goes on
all green and gold,
reaching what I won't,
what nobody can.
There are others in
this field. I hear
them at times. But I
haven't seen them yet.
I could have stayed
on the road. I could
have said No. I
could have headed home.
into this field
and how much farther
can it go on?
I stand, looking out,
with no memory
of how I got started,
why I said Yes.
The tall grass goes on
all green and gold,
reaching what I won't,
what nobody can.
There are others in
this field. I hear
them at times. But I
haven't seen them yet.
I could have stayed
on the road. I could
have said No. I
could have headed home.
The Irreplaceable Senator
Ron Silliman has posted a nice anecdote about the late Edward Kennedy. Though Senator Kennedy was not without his flaws, there's no denying that America has lost one of its great champions of justice . Given the current state of affairs, the antagonism in this country to anything remotely progressive, which is typically drummed up behind the scenes by well-heeled corporate lobbyists and PR officers, it's sadly safe to say that Senator Kennedy is irreplaceable.
Labels:
champions of justice,
Edward Kennedy,
politics
Wednesday, August 26, 2009
Names for Rachel
Rachel Tomorrow
Rachel Today
Rachel Tomorrow Today
Rachel Radio
Rachel Waves
Rachel Radio Waves
Rachel Rimbaud
Rachel Tzara
Rachel Rimbaud Tzara
Rachel Rainbow
Rachel Green
Rachel Rainbow Green
Rachel Candle
Rachel Light
Rachel Candelabra Night
Rachel Ephemera
Rachel Etcetera
Rachel Ephemera Etcetera
Rachel Why
Rachel Now
Rachel Why-Not Now
Rachel West
Rachel Wind
Rachel Zephyr
Rachel Ode
Rachel Magnum
Rachel Opus
Rachel Magnum Opus
Rachel Bandana
Rachel Hart
Rachel Bandana Heart
Rachel Lambent
Rachel Serendipity
Rachel Lambent Serendipity
Rachel Garbanzo
Rachel Prelapsarian
Rachel Eden Jelly Bean
Rachel Festoon
Rachel Per Se
Rachel Festoon Per Se
Rachel Move
Rachel Oeuvre
Rachel Omnium-Gatherum
Rachel Ampersand
Rachel Raconteur
Rachel Ampersand Raconteur
Rachel Halcyon
Rachel Tomorrow
Rachel Halcyon Tomorrow
Rachel Today
Rachel Tomorrow Today
Rachel Radio
Rachel Waves
Rachel Radio Waves
Rachel Rimbaud
Rachel Tzara
Rachel Rimbaud Tzara
Rachel Rainbow
Rachel Green
Rachel Rainbow Green
Rachel Candle
Rachel Light
Rachel Candelabra Night
Rachel Ephemera
Rachel Etcetera
Rachel Ephemera Etcetera
Rachel Why
Rachel Now
Rachel Why-Not Now
Rachel West
Rachel Wind
Rachel Zephyr
Rachel Ode
Rachel Magnum
Rachel Opus
Rachel Magnum Opus
Rachel Bandana
Rachel Hart
Rachel Bandana Heart
Rachel Lambent
Rachel Serendipity
Rachel Lambent Serendipity
Rachel Garbanzo
Rachel Prelapsarian
Rachel Eden Jelly Bean
Rachel Festoon
Rachel Per Se
Rachel Festoon Per Se
Rachel Move
Rachel Oeuvre
Rachel Omnium-Gatherum
Rachel Ampersand
Rachel Raconteur
Rachel Ampersand Raconteur
Rachel Halcyon
Rachel Tomorrow
Rachel Halcyon Tomorrow
Tuesday, August 25, 2009
Remembered Poem (cont'd)
2
The telephone rings.
Where’s my hat?
3
My hat, I’m on my way.
I’m typing the poem of the future
directly into the computer.
It’s ’92 and I am with you
in spirit if not in
forget it, I’m on my way.
Bed on the floor, later today.
4
My hat, what time is it?
The poem of the future
drives with narcolepsy
because I really want to
I’m on my way. Bring
bring, I’m onto you. Please.
5
Time on the way. My hat
I almost forgot. What I’m
is it? My Own Private
kiss you on the lips and
drink you on the floor—
your father’s at the door.
6
My hat is black and snappy.
I fall asleep in it
until
you grab me I’m awake.
In the bedroom on the floor
I sing you my new song
based on a tune by Faith
No More. “We stroll
to the edge of the world”
and you wrap the sky
blue bandana
around my head. We smoke
each other’s Marlboro
lips.
And then we fall apart.
7
I brought my hat, take off
my hat. You brought
your shirt and tell me that
it’s my Nirvana shirt actually
you bought for me I can
have it back while you put on
the Marlboro shirt
I drove to you I brought to you
on my back. Call me later.
8
The hat on my head is
twelve o’clock but on
your head it’s six
so cute. You hand me
and we have some beer
and you put in My Own
Private Idaho. All of
our yesterdays, “smoke ’em
if you got ’em” (that means
I nodded off).
You grab me awake
and take me to your room
which is really your father’s
because nobody loves us
like we love each other,
the way he asked you if we
lick each other’s assholes
and how I wish you had said
From head to head to toe.
9
The telephone rings.
I grab my hat.
I want to be ready.
10
I am a poet who was writing
a poem. My hat
rings. What time are you?
I didn’t drive an hour and change
to see My Own Private
Idaho. My hat is on the floor
next to the rumpled
Nirvana Sliver
you gave to me and I gave to you.
11
I want to tell the world about
the telephone rings
my Bone Daddy hat is laughing
at my singing while I drive
but you have iron in your eyes
when I sing to you from the bad
on the floor in your father’s room.
You know what I mean.
12
The telephone rings, my hat
I write my words with
or without you. You write better
than me and I refuse
to let you forget it. I sleep
through My Own Private
I don’t know, thanks for the beer,
an hour and change
to get here. My hat is on
your head when you grab me
awake. I kiss you and
it falls to your bed is
on the floor with our T shirts
and our jeans. Shoulders,
assholes, knees, we crawl
Nirvana over each other
to the edge of the No More world.
The telephone rings.
Where’s my hat?
3
My hat, I’m on my way.
I’m typing the poem of the future
directly into the computer.
It’s ’92 and I am with you
in spirit if not in
forget it, I’m on my way.
Bed on the floor, later today.
4
My hat, what time is it?
The poem of the future
drives with narcolepsy
because I really want to
I’m on my way. Bring
bring, I’m onto you. Please.
5
Time on the way. My hat
I almost forgot. What I’m
is it? My Own Private
kiss you on the lips and
drink you on the floor—
your father’s at the door.
6
My hat is black and snappy.
I fall asleep in it
until
you grab me I’m awake.
In the bedroom on the floor
I sing you my new song
based on a tune by Faith
No More. “We stroll
to the edge of the world”
and you wrap the sky
blue bandana
around my head. We smoke
each other’s Marlboro
lips.
And then we fall apart.
7
I brought my hat, take off
my hat. You brought
your shirt and tell me that
it’s my Nirvana shirt actually
you bought for me I can
have it back while you put on
the Marlboro shirt
I drove to you I brought to you
on my back. Call me later.
8
The hat on my head is
twelve o’clock but on
your head it’s six
so cute. You hand me
and we have some beer
and you put in My Own
Private Idaho. All of
our yesterdays, “smoke ’em
if you got ’em” (that means
I nodded off).
You grab me awake
and take me to your room
which is really your father’s
because nobody loves us
like we love each other,
the way he asked you if we
lick each other’s assholes
and how I wish you had said
From head to head to toe.
9
The telephone rings.
I grab my hat.
I want to be ready.
10
I am a poet who was writing
a poem. My hat
rings. What time are you?
I didn’t drive an hour and change
to see My Own Private
Idaho. My hat is on the floor
next to the rumpled
Nirvana Sliver
you gave to me and I gave to you.
11
I want to tell the world about
the telephone rings
my Bone Daddy hat is laughing
at my singing while I drive
but you have iron in your eyes
when I sing to you from the bad
on the floor in your father’s room.
You know what I mean.
12
The telephone rings, my hat
I write my words with
or without you. You write better
than me and I refuse
to let you forget it. I sleep
through My Own Private
I don’t know, thanks for the beer,
an hour and change
to get here. My hat is on
your head when you grab me
awake. I kiss you and
it falls to your bed is
on the floor with our T shirts
and our jeans. Shoulders,
assholes, knees, we crawl
Nirvana over each other
to the edge of the No More world.
Remembered Poem
I am upstairs in my bedroom
with my hands on the keyboard,
downstairs in the kitchen
looking for my cap.
The telephone is ringing
maybe it's Mars,
I should be on my way.
What time is my hat?
It's Bone Daddy black.
When I get there—Guilford
not Mars, that's just her nickname—
we knock back some bottles
of beer and watch
My Own Private Idaho.
Don't ask me what happens—
she wakes me up when it's over.
We make love on her half
of the room she shares
with her father—he's out
of course. After we get back
into our clothes, she ties a sky
blue bandana around my head
and I take her shirt back off.
It sparkles and we take pictures
as if we already know
we won't much longer be this way.
with my hands on the keyboard,
downstairs in the kitchen
looking for my cap.
The telephone is ringing
maybe it's Mars,
I should be on my way.
What time is my hat?
It's Bone Daddy black.
When I get there—Guilford
not Mars, that's just her nickname—
we knock back some bottles
of beer and watch
My Own Private Idaho.
Don't ask me what happens—
she wakes me up when it's over.
We make love on her half
of the room she shares
with her father—he's out
of course. After we get back
into our clothes, she ties a sky
blue bandana around my head
and I take her shirt back off.
It sparkles and we take pictures
as if we already know
we won't much longer be this way.
Monday, August 24, 2009
A Connecticut Poem
What did I do to deserve Connecticut?
Stevens moved here in 1916 when he was thirty-six
as I am now. It would be another seven years
before Harmonium appeared. He worked
in Hartford, an insurance man dutifully behind his desk
all day. I work in Danbury, a one-time typesetter
who now sees his work offshored to Chennai all day.
This isn’t going anywhere is it? I require help—
what about the sycamores, the maples, the oaks?
What about the robins returning each spring?
What about the nutmeg? What the hell can you make
with that anyway? I’d rather have the saffron
my grandma Keeney (né Messina) brought back with her
from Italy. She was alive then, so long ago
I was taking classes at Central Connecticut State
and wondering where all of the poetry was
as my American Lit class skipped Pound, Williams,
Stevens, Eliot, Frost, and Crane. No Olson, no Creeley,
no Ashbery or O’Hara, no Ginsberg, no Kerouac.
No Langston Hughes, Lorine Neidecker, Sylvia Plath,
nothing but a hasty reading of "Diving into the Wreck"
on the last day of class. I used the last two pages
of the final exam blue book to list the professor’s wrongs
(the same prof who went on for a good ten minutes
about exiguous, used to describe someone’s nose
in Daisy Miller; thinking it meant “large,”
he explained the Latin route, ex-, meaning “out of”—
being the thoughtful guy that I am, I didn’t correct him
in front of the class, but simply mentioned it afterwards)
for my troubles, which I thought honestly worth
a few extra points, even if some of what I wrote probably
rankled him but hey I was being timed remember,
I saw my grade knocked down to an A minus.
Connecticut is like that, whether you get to drive
to work through the cavernous shade and gentle hills
of Litchfield County or live in the traffic on I-95
but KC needs to get some files off our computer now
which she will bring with her today to the high school
where she’ll be getting her classroom ready
so I’ll be stopping here. We found a dead mouse
in our house this morning and I need to figure out what to do.
Stevens moved here in 1916 when he was thirty-six
as I am now. It would be another seven years
before Harmonium appeared. He worked
in Hartford, an insurance man dutifully behind his desk
all day. I work in Danbury, a one-time typesetter
who now sees his work offshored to Chennai all day.
This isn’t going anywhere is it? I require help—
what about the sycamores, the maples, the oaks?
What about the robins returning each spring?
What about the nutmeg? What the hell can you make
with that anyway? I’d rather have the saffron
my grandma Keeney (né Messina) brought back with her
from Italy. She was alive then, so long ago
I was taking classes at Central Connecticut State
and wondering where all of the poetry was
as my American Lit class skipped Pound, Williams,
Stevens, Eliot, Frost, and Crane. No Olson, no Creeley,
no Ashbery or O’Hara, no Ginsberg, no Kerouac.
No Langston Hughes, Lorine Neidecker, Sylvia Plath,
nothing but a hasty reading of "Diving into the Wreck"
on the last day of class. I used the last two pages
of the final exam blue book to list the professor’s wrongs
(the same prof who went on for a good ten minutes
about exiguous, used to describe someone’s nose
in Daisy Miller; thinking it meant “large,”
he explained the Latin route, ex-, meaning “out of”—
being the thoughtful guy that I am, I didn’t correct him
in front of the class, but simply mentioned it afterwards)
for my troubles, which I thought honestly worth
a few extra points, even if some of what I wrote probably
rankled him but hey I was being timed remember,
I saw my grade knocked down to an A minus.
Connecticut is like that, whether you get to drive
to work through the cavernous shade and gentle hills
of Litchfield County or live in the traffic on I-95
but KC needs to get some files off our computer now
which she will bring with her today to the high school
where she’ll be getting her classroom ready
so I’ll be stopping here. We found a dead mouse
in our house this morning and I need to figure out what to do.
Labels:
connecticut,
dayjob,
kc,
poems,
wallace stevens
Sunday, August 23, 2009
Dark Telephone Pants!
“Dark telephone pants!”
That voice from a farther room
is Dash’s as he and Vaughn
are playing some obscure
childhood game, deeper
and more complex than tag
or hide and go seek.
“You’re supposed to do this
and I’m supposed to do
this ! Oh man, now we’re rowing
out to—now I’m in your house.”
The game could go on for hours
or evaporate in a few timeless
tom-tom moments. Now someone
has cast a spell and they are trapped
and Vaughn is being pulled
by her mouth and yammering
on like a chimp. I guess it could
go on for days if anyone would
let it. “The bad guys are guarding
me.” “They’re guarding me, too.”
“Oh man, they’re letting the horses
out. One by one. We have customers
in our restaurant. I mean, we own
a bookstore, right? Every day
is a different pony.” “But you didn’t say
anything about the Fraggle Rock
mystery?” Quivering lip, quaking
cloud. O epic, O broken lyric heart!
That voice from a farther room
is Dash’s as he and Vaughn
are playing some obscure
childhood game, deeper
and more complex than tag
or hide and go seek.
“You’re supposed to do this
and I’m supposed to do
this ! Oh man, now we’re rowing
out to—now I’m in your house.”
The game could go on for hours
or evaporate in a few timeless
tom-tom moments. Now someone
has cast a spell and they are trapped
and Vaughn is being pulled
by her mouth and yammering
on like a chimp. I guess it could
go on for days if anyone would
let it. “The bad guys are guarding
me.” “They’re guarding me, too.”
“Oh man, they’re letting the horses
out. One by one. We have customers
in our restaurant. I mean, we own
a bookstore, right? Every day
is a different pony.” “But you didn’t say
anything about the Fraggle Rock
mystery?” Quivering lip, quaking
cloud. O epic, O broken lyric heart!
Fall
There was too much time for talk. Old man summer
with his pretty-boy face and sunshine cane
wiped the drool from his chin before we noticed.
Young men flexing muscles as they walk the shore,
eyeing through their shades the bikini-clad
young women playing each other and stomp-
splashing their feet as they secretly spy
on the boys. Not us. Who are we anyway?
What green force brought us here to brown and wither?
We're not at the beach, are we? But then how could
you know, we're not even together. Don't
look at me that way, with your unflinching page-
ward eyes like spikes, as if I'm the one confused.
It's personal now, now that we hide in the nude.
with his pretty-boy face and sunshine cane
wiped the drool from his chin before we noticed.
Young men flexing muscles as they walk the shore,
eyeing through their shades the bikini-clad
young women playing each other and stomp-
splashing their feet as they secretly spy
on the boys. Not us. Who are we anyway?
What green force brought us here to brown and wither?
We're not at the beach, are we? But then how could
you know, we're not even together. Don't
look at me that way, with your unflinching page-
ward eyes like spikes, as if I'm the one confused.
It's personal now, now that we hide in the nude.
Two Elegies
A modernist walks into a bar, orders
a drink and sits down on the red leather
booth in the corner, keeping an eye
on the door, all the while surveying the room.
He regards the blonde in the black raincoat
leaning on the bar, giving the bartender
an earful. He jots this down in his scratch pad
being sure to mention the smoky haze,
but when he looks up, she is gone. Neither left
nor right, neither low (not on the floor) nor high
(not ascending the cobblestone steps outside).
He imagines what violent white-gray wings
she must have concealed under her raincoat,
what globetrotting, sky-shattering mission
she must be on, how fast and far she’ll travel,
until she returns, click clock, from the ladies’ room.
* * *
A postmodernist walks into a bar and pre-
tends he already has a drink in his hand.
He takes the leather red booths to be all-
too-comfortable red booths and walks around
until he stumbles over a blonde’s slipped-off
flip-flops in front of the dart board. A dart
pierces his neck and lingers there like a flare.
Appalled by the simile he tears into a rage
at the patrons safely tucked into their booths,
at the establishment continuing to serve
unnecessary drinks, at the chairs not hung
from the ceiling, at the door that remains closed.
Calmed down, he thanks the blonde’s boyfriend, removes
the dart from his neck and smiles a smile so sure
it’s beyond such petty splits as pure / impure
as the gold liquor flows from his new neck hole.
a drink and sits down on the red leather
booth in the corner, keeping an eye
on the door, all the while surveying the room.
He regards the blonde in the black raincoat
leaning on the bar, giving the bartender
an earful. He jots this down in his scratch pad
being sure to mention the smoky haze,
but when he looks up, she is gone. Neither left
nor right, neither low (not on the floor) nor high
(not ascending the cobblestone steps outside).
He imagines what violent white-gray wings
she must have concealed under her raincoat,
what globetrotting, sky-shattering mission
she must be on, how fast and far she’ll travel,
until she returns, click clock, from the ladies’ room.
* * *
A postmodernist walks into a bar and pre-
tends he already has a drink in his hand.
He takes the leather red booths to be all-
too-comfortable red booths and walks around
until he stumbles over a blonde’s slipped-off
flip-flops in front of the dart board. A dart
pierces his neck and lingers there like a flare.
Appalled by the simile he tears into a rage
at the patrons safely tucked into their booths,
at the establishment continuing to serve
unnecessary drinks, at the chairs not hung
from the ceiling, at the door that remains closed.
Calmed down, he thanks the blonde’s boyfriend, removes
the dart from his neck and smiles a smile so sure
it’s beyond such petty splits as pure / impure
as the gold liquor flows from his new neck hole.
Saturday, August 22, 2009
Sappho Does
Sappho
sits alone
against the tide.
What
Sappho does
is her business.
Sappho
dreams, apples
fall from trees.
Three
naked girls
chase each other;
one
is love,
one is freedom,
and
one is
just a girl.
Where
Sappho goes,
crashing wine-dark throes.
When
Sappho leaves
three girls grieve;
one
is naked,
one is clothed,
and
one is
simply mind personified.
Sappho's
little credo:
To be continued . . .
sits alone
against the tide.
What
Sappho does
is her business.
Sappho
dreams, apples
fall from trees.
Three
naked girls
chase each other;
one
is love,
one is freedom,
and
one is
just a girl.
Where
Sappho goes,
crashing wine-dark throes.
When
Sappho leaves
three girls grieve;
one
is naked,
one is clothed,
and
one is
simply mind personified.
Sappho's
little credo:
To be continued . . .
Thursday, August 20, 2009
Proverbs of Heck (42)
Wash hands, wash mind. Life is a process
of decomposition; what appears, at times,
to be growth is a mysterious symptom
having nothing to do with the outcome,
or at least that's how it feels when I peel
a banana or stand on the beach waiting
for my boy to pass me the ball, shoulders
hunched, arms half dangled, and hands slightly
curled, as the crashing waves wash over the back-
ground mind, like a theater in which the spot-
light shines not on the star's climactic speech
but on an invisible hand backstage.
Art is a production for breaking up sleep;
a banana peel tossed on the compost heap.
of decomposition; what appears, at times,
to be growth is a mysterious symptom
having nothing to do with the outcome,
or at least that's how it feels when I peel
a banana or stand on the beach waiting
for my boy to pass me the ball, shoulders
hunched, arms half dangled, and hands slightly
curled, as the crashing waves wash over the back-
ground mind, like a theater in which the spot-
light shines not on the star's climactic speech
but on an invisible hand backstage.
Art is a production for breaking up sleep;
a banana peel tossed on the compost heap.
Labels:
poems,
Proverbial Sonnets,
proverbs,
sonnets
Proverbs of Heck (41)
No words without lips. No thought without
nerves. The mere act of walking is made
more beautiful with every new transportation
invention, till walking is like dancing
and dancing is like walking without legs
the way you and me rhyme in the heart of time:
two bodies, one motion, three minds, composed,
as a life is a composition, with syntax
of action and diction of thought and accidental
hitting of the caps lock key. You can't stack
a second brick until you've laid the first,
but you can imagine it, paint it, frame it,
and have it hang in a gallery for others
to see: the nerve of a brick stacked on air.
nerves. The mere act of walking is made
more beautiful with every new transportation
invention, till walking is like dancing
and dancing is like walking without legs
the way you and me rhyme in the heart of time:
two bodies, one motion, three minds, composed,
as a life is a composition, with syntax
of action and diction of thought and accidental
hitting of the caps lock key. You can't stack
a second brick until you've laid the first,
but you can imagine it, paint it, frame it,
and have it hang in a gallery for others
to see: the nerve of a brick stacked on air.
Labels:
poems,
Proverbial Sonnets,
proverbs,
sonnets
Proverbs of Heck (40)
When I say “Every poet is . . .” I say
what I am, not what you are, unless, perhaps,
you are not a poet, in which case it's
all good. The poem is a fountain, a boy
of about five or eight, a steady stream
of sparkling white water spouting up from
his blue-green penis only to dive down
into the penny-dappled water below,
meaning there is no meaning and not so much
an end as a slow dissolve into the shiny
layers of intention, attention, and inspection,
a meaningless catapult aimed at the sky
and stuck in a seemingly endless misfire
tinkling, raw and rigged, into that sturdy water.
what I am, not what you are, unless, perhaps,
you are not a poet, in which case it's
all good. The poem is a fountain, a boy
of about five or eight, a steady stream
of sparkling white water spouting up from
his blue-green penis only to dive down
into the penny-dappled water below,
meaning there is no meaning and not so much
an end as a slow dissolve into the shiny
layers of intention, attention, and inspection,
a meaningless catapult aimed at the sky
and stuck in a seemingly endless misfire
tinkling, raw and rigged, into that sturdy water.
Saturday, August 15, 2009
Advanced Metrics
We will see our names in the black newsprint
of the sea, to steal a phrase from Ann Lauterbach,
but until we get there: the game’s the thing.
DVOA tells us that Michael Vick
was never a very good quarterback
which isn’t to say he didn’t have game-changing
ability or wasn’t amazing to watch.
The advanced metrics don’t lie even if the whole
of any play can’t be captured in such black
and white terms. The variables in a catch
cut twenty-two ways, varyingly unequal
from down to down. A yard gained or a sack:
the problem’s the same. Perfect’s the enemy of better
stats that capture the action more than the score.
of the sea, to steal a phrase from Ann Lauterbach,
but until we get there: the game’s the thing.
DVOA tells us that Michael Vick
was never a very good quarterback
which isn’t to say he didn’t have game-changing
ability or wasn’t amazing to watch.
The advanced metrics don’t lie even if the whole
of any play can’t be captured in such black
and white terms. The variables in a catch
cut twenty-two ways, varyingly unequal
from down to down. A yard gained or a sack:
the problem’s the same. Perfect’s the enemy of better
stats that capture the action more than the score.
Something about a Train
We can't all be conductors on this train.
We can't all wear the engineer's striped hat.
Fireman, brakeman, track worker, dispathcer:
specialized positions not for us all.
Most of us are just passengers happy
to have a seat as we travel back home
or away from it to
where ever it is we need to go.
We can't all wear the engineer's striped hat.
Fireman, brakeman, track worker, dispathcer:
specialized positions not for us all.
Most of us are just passengers happy
to have a seat as we travel back home
or away from it to
where ever it is we need to go.
Friday, August 14, 2009
Les Paul, June 9, 1915 – August 13, 2009
Les Paul at the Rock and Roll HoF site
Ode to Les Paul (found poem courtesy of Licorice Pizza)
The first guitar I bought
that I never learned to play
was a Les Paul knockoff.
Thursday, August 13, 2009
Proverbs of Heck (39)
Silence is a mouthful of nothingness,
the alpha and omega of every poem.
I punch out at six o'clock and complain
about the long day, but the soldier's ends
only when bagged — not even returning home
and lying down in the American grain
under an empty sky will put it to rest.
It's easy to say what true awareness is
when I don't have a hood pulled over my head
and electrodes wired to my balls: best
not to worry too much about what happens
to the idea of solemn laughter then.
Eyes aimed at the ground like a tired surgeon—
more zen than glum, but I get the confusion.
the alpha and omega of every poem.
I punch out at six o'clock and complain
about the long day, but the soldier's ends
only when bagged — not even returning home
and lying down in the American grain
under an empty sky will put it to rest.
It's easy to say what true awareness is
when I don't have a hood pulled over my head
and electrodes wired to my balls: best
not to worry too much about what happens
to the idea of solemn laughter then.
Eyes aimed at the ground like a tired surgeon—
more zen than glum, but I get the confusion.
Labels:
poems,
Proverbial Sonnets,
proverbs,
sonnets
The Big Spot
Life is a series of contradictions, yes,
but the question is: when it comes down to game
seven do you go with the young fire-
baller who brings the high heat pitch after
pitch in a relentless display of power
until he tires and the hitters start to catch
up with it, which could happen fast on three
days rest, or do you go with the savvy old
veteran who knows how to paint the corners
but could struggle with his pitch count and not
make it out of the fifth or sixth inning,
or do you trot them both out onto the mound
because it's your metaphor now, your game,
and you can change the rules if you want?
but the question is: when it comes down to game
seven do you go with the young fire-
baller who brings the high heat pitch after
pitch in a relentless display of power
until he tires and the hitters start to catch
up with it, which could happen fast on three
days rest, or do you go with the savvy old
veteran who knows how to paint the corners
but could struggle with his pitch count and not
make it out of the fifth or sixth inning,
or do you trot them both out onto the mound
because it's your metaphor now, your game,
and you can change the rules if you want?
Incantation for Jaguar Macaw Madness, for the desire this madness brings
Translated from the Mayan by Dennis Tedlock
One Lord, one and only Four Lord, Sky
Lord would have been in chaos, Sky Lord
would have been dark when you were
born. Who are you, owner of chaos? Who
are you, owner of night? You are in chaos,
Great Lord of Days, the eye of the sun was
plucked out when you were born. Who is
your mother, what father begets you when
you do penance? She is Red Rainbow,
White Rainbow, she is the point of the
lancet, the tip of the penis, this is your
mother, your father, begetter,
together behind there, together behind
the sweat bath when you were born, the
desire in that chaos, desire in that darkness,
the spitting snake was in the tree,
the spitting snake was on the rock when
you were born, desire in the darkness.
Master of Drunken Madness, you are the
desire in the chaos, you are Master of
Stupid Madness, you are Lascivious Madness,
you are Jaguar Madness, you are
Master of Macaw Madness, you are Deer
Madness. Who is your tree? Who is your
bush? What served as your bed, your
bower when you were born?
If that doesn't get your blood boiling, well, there's no accounting for taste, right? Anyway, that's just the first two passages; you can read the rest in this PDF. Tedlock's book 2000 Years of Mayan Literature is forthcoming from the University of California Press (2010) and it looks (and reads, from what I've been able to glimpse so far) f'in amazing. Thunderstorm is still there in the sky, perhaps, closing his eyes as he slips behind Fire-Bellied Rainbow.
One Lord, one and only Four Lord, Sky
Lord would have been in chaos, Sky Lord
would have been dark when you were
born. Who are you, owner of chaos? Who
are you, owner of night? You are in chaos,
Great Lord of Days, the eye of the sun was
plucked out when you were born. Who is
your mother, what father begets you when
you do penance? She is Red Rainbow,
White Rainbow, she is the point of the
lancet, the tip of the penis, this is your
mother, your father, begetter,
together behind there, together behind
the sweat bath when you were born, the
desire in that chaos, desire in that darkness,
the spitting snake was in the tree,
the spitting snake was on the rock when
you were born, desire in the darkness.
Master of Drunken Madness, you are the
desire in the chaos, you are Master of
Stupid Madness, you are Lascivious Madness,
you are Jaguar Madness, you are
Master of Macaw Madness, you are Deer
Madness. Who is your tree? Who is your
bush? What served as your bed, your
bower when you were born?
If that doesn't get your blood boiling, well, there's no accounting for taste, right? Anyway, that's just the first two passages; you can read the rest in this PDF. Tedlock's book 2000 Years of Mayan Literature is forthcoming from the University of California Press (2010) and it looks (and reads, from what I've been able to glimpse so far) f'in amazing. Thunderstorm is still there in the sky, perhaps, closing his eyes as he slips behind Fire-Bellied Rainbow.
Labels:
Dennis Tedlock,
Mayan poetry,
poems by others
Didn't have a dream last night
Didn't have a dream last night
or none that I can recall—
no statues moving through thigh-high grass,
no pool-side graves, no horses
racing alongside my passenger car window,
no monkey smells, no children
with amputated limbs
crying up at me from their cribs,
no mountains in the distance billowing smoke
from angry Natives who only want
to show me how I've lost my way
again, no sniper in the bell tower
as I wander the streets looking for the golden
labrador of my youth, no house of bricks
owned by pigs who won't let me in
with some wolf-man sloshing down the road
snorting and salivating as he approaches,
no fat keystone cop twirling
his big golden keychain as he whistles
something like Singing in the Rain,
no bright white room with white tile floor
covered with snakes while the continental United States
sways above it on a shimmering chandelier,
no back rubs from Loni Anderon's character in WKRP,
no Wicked Witch of the West with bright red lips
puckering up with her kiss of death,
no head-giving dwarf from Sega Genesis's
Golden Axe, no Mother Mary
peeling off her layers of white, blue, and bluer,
no horses driven by D.H. Lawrence
across a desert of snow as I sit at a school-desk
playing with a small plastic hourglass
filled with yellow sand, no Li Po
offering me wine on a hillside by a harbor
serenading the moon or laughing with the owls,
no garden to wander through, no dice
rattling overhead in the clouded sky,
no Pocahontases hollering at me to bring them home
where the green sun meets the yellow lake
and the National Guard is waiting with orders
to blow off our heads because they have been told
we are zombies, but really they are.
or none that I can recall—
no statues moving through thigh-high grass,
no pool-side graves, no horses
racing alongside my passenger car window,
no monkey smells, no children
with amputated limbs
crying up at me from their cribs,
no mountains in the distance billowing smoke
from angry Natives who only want
to show me how I've lost my way
again, no sniper in the bell tower
as I wander the streets looking for the golden
labrador of my youth, no house of bricks
owned by pigs who won't let me in
with some wolf-man sloshing down the road
snorting and salivating as he approaches,
no fat keystone cop twirling
his big golden keychain as he whistles
something like Singing in the Rain,
no bright white room with white tile floor
covered with snakes while the continental United States
sways above it on a shimmering chandelier,
no back rubs from Loni Anderon's character in WKRP,
no Wicked Witch of the West with bright red lips
puckering up with her kiss of death,
no head-giving dwarf from Sega Genesis's
Golden Axe, no Mother Mary
peeling off her layers of white, blue, and bluer,
no horses driven by D.H. Lawrence
across a desert of snow as I sit at a school-desk
playing with a small plastic hourglass
filled with yellow sand, no Li Po
offering me wine on a hillside by a harbor
serenading the moon or laughing with the owls,
no garden to wander through, no dice
rattling overhead in the clouded sky,
no Pocahontases hollering at me to bring them home
where the green sun meets the yellow lake
and the National Guard is waiting with orders
to blow off our heads because they have been told
we are zombies, but really they are.
Wednesday, August 12, 2009
On Meeting Gregory Corso
The lines in his face
like tiny electric snakes
and when he smiled
nothing happened that
wouldn’t otherwise have happened
the setting sun for instance
leaned out of his way.
like tiny electric snakes
and when he smiled
nothing happened that
wouldn’t otherwise have happened
the setting sun for instance
leaned out of his way.
An Inscription
This vase is a gift
from a father to his daughter
that she may always have a place
to keep her flowers in water;
she who tends to plants so well
and greets all creatures like the dawn,
the Fairy-winged Princess of 94 Grove,
the Mermaid Queen of the Overgrown Lawn.
________________________________________________
Based on a Mayan inscription.
from a father to his daughter
that she may always have a place
to keep her flowers in water;
she who tends to plants so well
and greets all creatures like the dawn,
the Fairy-winged Princess of 94 Grove,
the Mermaid Queen of the Overgrown Lawn.
________________________________________________
Based on a Mayan inscription.
Blob-of-Dust Morning
No words, gray light,
only rooftops out the window,
black and staticky.
No birds, no squirrels,
only bruising car-go-by sounds
and Vaughn's voice
from out in the living room
as she runs like she's not supposed to
back and forth with her brother,
“I'm a blob of dust.”
only rooftops out the window,
black and staticky.
No birds, no squirrels,
only bruising car-go-by sounds
and Vaughn's voice
from out in the living room
as she runs like she's not supposed to
back and forth with her brother,
“I'm a blob of dust.”
Tuesday, August 11, 2009
Beach pieces
A little sand in the toes
the eyes tired
a pain in the thigh like a slice
of lemon stuck on the end of a glass
do you feel it too
don't let go of my hand
we lie not quite
tanned but lost in the sun
•
Brown the water curling
up and under
and over our toes
or no that's just the seaweed
•
The young man in the motorized parachute
gliding past the gull
beyond the arching spiral
under which races
the graying man with outstretched arms
hoping to show them, though no one is watching,
that he still has it.
•
The boys dig trenches
and make “dark wells.”
The girls dig, too,
collecting shells.
the eyes tired
a pain in the thigh like a slice
of lemon stuck on the end of a glass
do you feel it too
don't let go of my hand
we lie not quite
tanned but lost in the sun
•
Brown the water curling
up and under
and over our toes
or no that's just the seaweed
•
The young man in the motorized parachute
gliding past the gull
beyond the arching spiral
under which races
the graying man with outstretched arms
hoping to show them, though no one is watching,
that he still has it.
•
The boys dig trenches
and make “dark wells.”
The girls dig, too,
collecting shells.
Proverbs of Heck (38)
Say what you see, not what you know; but don't
believe it until you feel it. Intuitive
knowledge sees through time, speaks through silence,
and acts because. The Paiute shaman took no
offense at the Indian poker game; instead,
he pointed to the feather in his hat and laughed
as he slowly disappeared. True awareness
is solemn laughter. The rain falls on the tracks
we leave. A hungry stomach is the barking of dogs.
Wisdom comes like the wind over buffalo grass.
It takes a thousand voices like the stars.
Ask questions from your heart to see lightning
in your mind. Step lightly in the spring but pack
an ax. The old rabbit jumps; there is no death.
believe it until you feel it. Intuitive
knowledge sees through time, speaks through silence,
and acts because. The Paiute shaman took no
offense at the Indian poker game; instead,
he pointed to the feather in his hat and laughed
as he slowly disappeared. True awareness
is solemn laughter. The rain falls on the tracks
we leave. A hungry stomach is the barking of dogs.
Wisdom comes like the wind over buffalo grass.
It takes a thousand voices like the stars.
Ask questions from your heart to see lightning
in your mind. Step lightly in the spring but pack
an ax. The old rabbit jumps; there is no death.
Monday, August 10, 2009
Walk-off
I liked it when the home run meant something,
when forty-five dingers might lead the league
in any given season, when a man
making the minimum wage could afford
to take his children out to see their idol
go yard, when the long ball was scarce and more
than a cheap way to sell tickets and appeal
to “chicks,” when the single-season record
was “tainted” only because of the bigotry
of popularity, when the home run king
was a thick-skinned hero who had to overcome
real bigotry even more than the shadow
of the greatest ever who had twice smacked more round-
trippers than every other team in his league.
when forty-five dingers might lead the league
in any given season, when a man
making the minimum wage could afford
to take his children out to see their idol
go yard, when the long ball was scarce and more
than a cheap way to sell tickets and appeal
to “chicks,” when the single-season record
was “tainted” only because of the bigotry
of popularity, when the home run king
was a thick-skinned hero who had to overcome
real bigotry even more than the shadow
of the greatest ever who had twice smacked more round-
trippers than every other team in his league.
Proverbs of Heck (37)
The poem engages you or it doesn’t;
it reaches out and touches you or stays
in the corner and keeps to itself while you
make your way from another to another;
it bothers you, leading you to question,
pause, or trouble over, or it leaves you
alone; it works through you, on you, with you,
or, quite simply, it doesn’t. How can that
be faked anymore than a song or paint
on a canvas, gobs of it, lighting up nothing
so much as the sleepy hollow of your skull?
So a line isn’t always as true as it is
at the moment of composition. The poem
is sketched out on paper, carved out in time.
it reaches out and touches you or stays
in the corner and keeps to itself while you
make your way from another to another;
it bothers you, leading you to question,
pause, or trouble over, or it leaves you
alone; it works through you, on you, with you,
or, quite simply, it doesn’t. How can that
be faked anymore than a song or paint
on a canvas, gobs of it, lighting up nothing
so much as the sleepy hollow of your skull?
So a line isn’t always as true as it is
at the moment of composition. The poem
is sketched out on paper, carved out in time.
Sunday, August 09, 2009
Proverbs of Heck (36)
Didactic poetry is canned dog food
but maybe that will change again someday.
Doubt’s the fox to imagination’s hens;
read like hell makes a pretty good shot gun
but so does I don't care, I'll do it my way.
I was raised by vague pronoun references,
schooled by dangling modifiers, and if
I want my life to have been lived in
the passive voice it may be that the things
I want are not so much my choice as they are
the sum of my previous experiences
impressed upon my genetic makeup.
A candle doesn’t care if it’s dark or light;
the utility of an object is, well, duh.
but maybe that will change again someday.
Doubt’s the fox to imagination’s hens;
read like hell makes a pretty good shot gun
but so does I don't care, I'll do it my way.
I was raised by vague pronoun references,
schooled by dangling modifiers, and if
I want my life to have been lived in
the passive voice it may be that the things
I want are not so much my choice as they are
the sum of my previous experiences
impressed upon my genetic makeup.
A candle doesn’t care if it’s dark or light;
the utility of an object is, well, duh.
Tryst
Blue-spoken earth, half in shadow
half in light, the sign white-taped
to a wet-looking red door. Knock
three times and whisper, “Contredanse
with me, Marie, for we are going to the sea.”
And when it opens, mouths keep
shut, and eyes all close and lips
draw part, and entrance steps click
concrete ground, tick tock tick
for what is found in spinning into bare
each other's arms, around and a-
rowing-round, mouths kept shut
and lips kept parted, contredanse
of clicking tongues, in half shadow
in half light, circling in and out of sight.
half in light, the sign white-taped
to a wet-looking red door. Knock
three times and whisper, “Contredanse
with me, Marie, for we are going to the sea.”
And when it opens, mouths keep
shut, and eyes all close and lips
draw part, and entrance steps click
concrete ground, tick tock tick
for what is found in spinning into bare
each other's arms, around and a-
rowing-round, mouths kept shut
and lips kept parted, contredanse
of clicking tongues, in half shadow
in half light, circling in and out of sight.
Saturday, August 08, 2009
Ten Things So Far I Did This Morning Barely Started
Sleep in.
Think fresh.
Pass gas.
Brush teeth.
Shower, shave.
Get dressed.
Nothin' fancy.
Step down.
Eat Heart-
To-Heart
Drink Silk.
Sit down.
Look back.
Half-hour
Lifetime.
Write down.
Think fresh.
Pass gas.
Brush teeth.
Shower, shave.
Get dressed.
Nothin' fancy.
Step down.
Eat Heart-
To-Heart
Drink Silk.
Sit down.
Look back.
Half-hour
Lifetime.
Write down.
Friday, August 07, 2009
Proverbs of Heck (35)
All ambition, no heart. Better to fail
at a thousand poems going for a great one
than to write a hundred good ones? It takes
a visage. Ambition is not about scale;
it's all about aim and paying attention.
Making your way in the world today is abstract,
which is another problem with ambition:
it's too easy to point to after the fact.
Nothing to say and tired of saying it:
the middle manager's burden. Cash in
your chips or let it roll? Ambition snakes
and snarls, greases and growls, and leads you to
the crap table. If you can't stand the heat
don't cry for air and continue to tweet.
at a thousand poems going for a great one
than to write a hundred good ones? It takes
a visage. Ambition is not about scale;
it's all about aim and paying attention.
Making your way in the world today is abstract,
which is another problem with ambition:
it's too easy to point to after the fact.
Nothing to say and tired of saying it:
the middle manager's burden. Cash in
your chips or let it roll? Ambition snakes
and snarls, greases and growls, and leads you to
the crap table. If you can't stand the heat
don't cry for air and continue to tweet.
Labels:
poems,
Proverbial Sonnets,
proverbs,
sonnets
Cleaning Out the Gutters
A hand cut among the leaves.
Hair in the eye blocking the sun.
In the gray of the white aluminum
crease, old rain like cold, colorless
blood. The stink of many seasons.
The cut hand scoops the sludge.
The one-note chip of a chipping
sparrow hopping along the fence.
Sneakered feet on a squeaky rung
over the car moans coming from
the other side of the home.
I should probably climb down
and see about washing it out
but I care to as much as I care not.
Hair in the eye blocking the sun.
In the gray of the white aluminum
crease, old rain like cold, colorless
blood. The stink of many seasons.
The cut hand scoops the sludge.
The one-note chip of a chipping
sparrow hopping along the fence.
Sneakered feet on a squeaky rung
over the car moans coming from
the other side of the home.
I should probably climb down
and see about washing it out
but I care to as much as I care not.
Proverbs of Heck (34)
“Wisdom is cold and to that extent stupid.”
Tom Clark wrote that once, and now I can, too,
but only because I saw it published in
The American Poetry Review. That’s the squid
in the pool I am hoping to wade through
quietly. Quiet, you know, like when
school is in. I don't want to tear down the walls
of the malls like when I was young, but I still
want to peel off the price tags. Anarchy,
why did I leave you? You don't take my calls;
you erase my messages. Time is a shrill
laugh, more couldn’t-care-less than snarky,
but it doesn’t last forever. Justice is lapsed
where the good are left to apartments of collapse.
Tom Clark wrote that once, and now I can, too,
but only because I saw it published in
The American Poetry Review. That’s the squid
in the pool I am hoping to wade through
quietly. Quiet, you know, like when
school is in. I don't want to tear down the walls
of the malls like when I was young, but I still
want to peel off the price tags. Anarchy,
why did I leave you? You don't take my calls;
you erase my messages. Time is a shrill
laugh, more couldn’t-care-less than snarky,
but it doesn’t last forever. Justice is lapsed
where the good are left to apartments of collapse.
Thursday, August 06, 2009
Proverbs of Heck (33)
The Buddha knows there is no drudgery
even in a service economy
as long as you keep your self out of it
with right concentration and mindfulness
and don't violate the requirements
of there's-a-right-way-to-make-a-living,
and it helps to remember to stop now
and then to knock on the sky and listen to
the sound, but not while operating
heavy machinery or walking through
the halls of a hospital or high school,
then it's best to swallow the nothingness
and make like something is happening as
every move you make is making you, too.
even in a service economy
as long as you keep your self out of it
with right concentration and mindfulness
and don't violate the requirements
of there's-a-right-way-to-make-a-living,
and it helps to remember to stop now
and then to knock on the sky and listen to
the sound, but not while operating
heavy machinery or walking through
the halls of a hospital or high school,
then it's best to swallow the nothingness
and make like something is happening as
every move you make is making you, too.
Cleaning Out the Gutters
A hand cut among the leaves.
Hair in the eye blocking the sun.
In the gray of the white aluminum
crease, old rain like cold, colorless
blood. The stink of many seasons.
The cut hand scoops the sludge.
The one-note chip of a chipping
sparrow hopping along the fence.
Sneakered feet on a squeaky rung
over the car moans coming from
the other side of the home.
Hair in the eye blocking the sun.
In the gray of the white aluminum
crease, old rain like cold, colorless
blood. The stink of many seasons.
The cut hand scoops the sludge.
The one-note chip of a chipping
sparrow hopping along the fence.
Sneakered feet on a squeaky rung
over the car moans coming from
the other side of the home.
Wednesday, August 05, 2009
Proverbs of Heck (32)
You can't drink water from an empty cup.
Too much water in the mouth will choke even
the thirstiest man. Art should be useful
like a toothbrush with gold bristles. Shut up
and let the scenery take you through the scene
you were about to make. It's beautiful
to listen, but more beautiful to respond.
Sometimes the best answer isn't a question
but simply silence, with or without a smile.
You can do better than take me by the hand. ;-)
Words without lips are bullets without a gun.
Say it. To speak is a spoke in the wheel
of the mountain bike we ride over the hills
and far away where nobody will hear us.
Too much water in the mouth will choke even
the thirstiest man. Art should be useful
like a toothbrush with gold bristles. Shut up
and let the scenery take you through the scene
you were about to make. It's beautiful
to listen, but more beautiful to respond.
Sometimes the best answer isn't a question
but simply silence, with or without a smile.
You can do better than take me by the hand. ;-)
Words without lips are bullets without a gun.
Say it. To speak is a spoke in the wheel
of the mountain bike we ride over the hills
and far away where nobody will hear us.
Beach Abstract
Tone, beach, calm nothing
no feet to spy, no walk
see change, fling palm open
chalk it up to why the meat
can't help but feel shame
ring-billeds dot horizon like
I looks for you with eyes closed
&
say something
shhhhhhhhhhhhhhhhhhhh
say something
shhhhhhhhhhhhhhhhhhhh
say something
shhhhhhhhhhhhhhhhhhhh
say something
shhhhhhhhhhhhhhhhhhhh
&
plastic shovel Dashiell
break-a-dawn Vaughn
UV trace me KC
give-a-damn I am
&
A failure to explore the details.
My failure. To pick up the shell and look
inside it, feel it with fingertips
and describe it with something like
urgency. Calm emergency.
Like how it is when I meet someone for
the first time. Not shyness but
an utter disappearance of words.
No speak. And no see probably.
If I try real hard I get Radio waves,
I'm on the table, and Sail boat momma.
&
say something
shhhhhhhhhhhhhhhhhhhh
say something
shhhhhhhhhhhhhhhhhhhh
say something
shhhhhhhhhhhhhhhhhhhh
say something
shhhhhhhhhhhhhhhhhhhh
no feet to spy, no walk
see change, fling palm open
chalk it up to why the meat
can't help but feel shame
ring-billeds dot horizon like
I looks for you with eyes closed
&
say something
shhhhhhhhhhhhhhhhhhhh
say something
shhhhhhhhhhhhhhhhhhhh
say something
shhhhhhhhhhhhhhhhhhhh
say something
shhhhhhhhhhhhhhhhhhhh
&
plastic shovel Dashiell
break-a-dawn Vaughn
UV trace me KC
give-a-damn I am
&
A failure to explore the details.
My failure. To pick up the shell and look
inside it, feel it with fingertips
and describe it with something like
urgency. Calm emergency.
Like how it is when I meet someone for
the first time. Not shyness but
an utter disappearance of words.
No speak. And no see probably.
If I try real hard I get Radio waves,
I'm on the table, and Sail boat momma.
&
say something
shhhhhhhhhhhhhhhhhhhh
say something
shhhhhhhhhhhhhhhhhhhh
say something
shhhhhhhhhhhhhhhhhhhh
say something
shhhhhhhhhhhhhhhhhhhh
Cleaning Out the Gutters
A hand cut among the leaves.
Hair in the eye blocking the sun.
In the gray of the white aluminum
crease, old rain like cold, colorless
blood. The stink of many seasons.
The cut hand scoops the sludge.
Hair in the eye blocking the sun.
In the gray of the white aluminum
crease, old rain like cold, colorless
blood. The stink of many seasons.
The cut hand scoops the sludge.
Tuesday, August 04, 2009
I wanted to write something like
I wanted to write something like Words for Love
I wanted to write something like The Rain
I wanted to write something like Some Trees
I wanted to write something Like musical instruments / abandoned in a field
I wanted to write something like Often I Am Permitted To Return to a Meadow
I wanted to write something like Every Morning I Forget How It Is
I wanted to write something like The Cities
I wanted to write something like Stray Animals
I wanted to write something like The Lion for Real
I wanted to write something like The Coming of Light
I wanted to write something like the 1st Light Poem: For Iris
I wanted to write something like lighght
I wanted to write something like A Step Away from Them
I wanted to write something like A Little Boy Lost
I wanted to write something like a New Song in an Old Style
I wanted to write something like All of the Fruits Had Fallen
I wanted to write something like a Letter In November
I wanted to write something like December
I wanted to write something like Sleep and Poetry
I wanted to write something like The Snow Is Deep on the Ground
I wanted to write something like I Climb Alone
I wanted to write something like I Went into the Maverick Bar
I wanted to write something like I Remember
I wanted to write something like Mountain Words
I wanted to write something like French Poems Translated by Kenneth Rexroth
I wanted to write something like Dream debris
I wanted to write something like Musical Variations
I wanted to write something like the martyrology
I wanted to write something like Geography
I wanted to write something like Rivers and Mountains
I wanted to write something like Andalusian Fog
I wanted to write something like The World Is Round
I wanted to write something like The Flea Market in Kiel
I wanted to write something like a Song of the Andoumboulou
I wanted to write something like What the Tree Said Lifted
I wanted to write something like The Fire Mumbles On
I wanted to write something like Early Spring
I wanted to write something like Clouded Sky
I wanted to write something like In a Dark Time
I wanted to write something like Whitman in Black
I wanted to write something like Ye Goat-Herd Gods
I wanted to write something like Floating Gardens
I wanted to write something like The Burning Babe
I wanted to write something like Thou Shalt Not Kill
I wanted to write something like The Madonna in Me
I wanted to write something like The Force that through the Green Fuse
Drives the Flower
I wanted to write something like My Hate
I wanted to write something like Busking
I wanted to write something like The Moon
I wanted to write something like The Woods
I wanted to write something like The Tortoise
I wanted to write something like A Deer
I wanted to write something like The Why of the Wind
I wanted to write something like Ants Dissolve in Moonlight
I wanted to write something like Elephants in the Zoo
I wanted to write something like They Loved These Things Too
I wanted to write something like a Highway to the Sky
I wanted to write something like Some Litanies
I wanted to write something like a History of France
I wanted to write something like Reading Moby-Dick at 30,000 Feet
I wanted to write something like Wire
I wanted to write something like Pax
I wanted to write something like China
I wanted to write something like Loop
I wanted to write something like The Welder
I wanted to write something like The Ticket Collector
I wanted to write something like Don't leave me / all alone. Wait
I wanted to write something like a Preface to a Twenty Volume Suicide Note
I wanted to write something like There's a certain Slant of light
I wanted to write something like Cold Water
I wanted to write something like The Constancy of Dirt and Joy
I wanted to write something like THE LOSS OF ETERNITY
I wanted to write something like Six Buildings
I wanted to write something like Sleep in Ur
I wanted to write something like a Moment Fugue
I wanted to write something like The Death of Guillaume Apollinaire
I wanted to write something like The Age of Gold
I wanted to write something like Nothing So Far
I wanted to write something like Goodbye
I wanted to write something like Walking Away
I wanted to write something like The Rain
I wanted to write something like Some Trees
I wanted to write something Like musical instruments / abandoned in a field
I wanted to write something like Often I Am Permitted To Return to a Meadow
I wanted to write something like Every Morning I Forget How It Is
I wanted to write something like The Cities
I wanted to write something like Stray Animals
I wanted to write something like The Lion for Real
I wanted to write something like The Coming of Light
I wanted to write something like the 1st Light Poem: For Iris
I wanted to write something like lighght
I wanted to write something like A Step Away from Them
I wanted to write something like A Little Boy Lost
I wanted to write something like a New Song in an Old Style
I wanted to write something like All of the Fruits Had Fallen
I wanted to write something like a Letter In November
I wanted to write something like December
I wanted to write something like Sleep and Poetry
I wanted to write something like The Snow Is Deep on the Ground
I wanted to write something like I Climb Alone
I wanted to write something like I Went into the Maverick Bar
I wanted to write something like I Remember
I wanted to write something like Mountain Words
I wanted to write something like French Poems Translated by Kenneth Rexroth
I wanted to write something like Dream debris
I wanted to write something like Musical Variations
I wanted to write something like the martyrology
I wanted to write something like Geography
I wanted to write something like Rivers and Mountains
I wanted to write something like Andalusian Fog
I wanted to write something like The World Is Round
I wanted to write something like The Flea Market in Kiel
I wanted to write something like a Song of the Andoumboulou
I wanted to write something like What the Tree Said Lifted
I wanted to write something like The Fire Mumbles On
I wanted to write something like Early Spring
I wanted to write something like Clouded Sky
I wanted to write something like In a Dark Time
I wanted to write something like Whitman in Black
I wanted to write something like Ye Goat-Herd Gods
I wanted to write something like Floating Gardens
I wanted to write something like The Burning Babe
I wanted to write something like Thou Shalt Not Kill
I wanted to write something like The Madonna in Me
I wanted to write something like The Force that through the Green Fuse
Drives the Flower
I wanted to write something like My Hate
I wanted to write something like Busking
I wanted to write something like The Moon
I wanted to write something like The Woods
I wanted to write something like The Tortoise
I wanted to write something like A Deer
I wanted to write something like The Why of the Wind
I wanted to write something like Ants Dissolve in Moonlight
I wanted to write something like Elephants in the Zoo
I wanted to write something like They Loved These Things Too
I wanted to write something like a Highway to the Sky
I wanted to write something like Some Litanies
I wanted to write something like a History of France
I wanted to write something like Reading Moby-Dick at 30,000 Feet
I wanted to write something like Wire
I wanted to write something like Pax
I wanted to write something like China
I wanted to write something like Loop
I wanted to write something like The Welder
I wanted to write something like The Ticket Collector
I wanted to write something like Don't leave me / all alone. Wait
I wanted to write something like a Preface to a Twenty Volume Suicide Note
I wanted to write something like There's a certain Slant of light
I wanted to write something like Cold Water
I wanted to write something like The Constancy of Dirt and Joy
I wanted to write something like THE LOSS OF ETERNITY
I wanted to write something like Six Buildings
I wanted to write something like Sleep in Ur
I wanted to write something like a Moment Fugue
I wanted to write something like The Death of Guillaume Apollinaire
I wanted to write something like The Age of Gold
I wanted to write something like Nothing So Far
I wanted to write something like Goodbye
I wanted to write something like Walking Away
Proverbs of Heck (31)
It's not the heat but the humidity, meaning
it's the memories really, more than the life
itself. A vague notion is a fortune.
Sitting and thinking is good housecleaning.
Good poetry is carved out with a knife
while squatting in a storm that feels like sun
in your hair and kisses along your shoulder.
With art it's not always bad to lose sight
of your target; in war it will end your day.
We wake up from our dreams and nightmares older
and wiser when we understand them right.
Indulge the chattering mind until it walks
away and settles down under the oak
to fashion art out of silence like clay.
it's the memories really, more than the life
itself. A vague notion is a fortune.
Sitting and thinking is good housecleaning.
Good poetry is carved out with a knife
while squatting in a storm that feels like sun
in your hair and kisses along your shoulder.
With art it's not always bad to lose sight
of your target; in war it will end your day.
We wake up from our dreams and nightmares older
and wiser when we understand them right.
Indulge the chattering mind until it walks
away and settles down under the oak
to fashion art out of silence like clay.
Monday, August 03, 2009
Proverbs of Heck (30)
To watch two people dance, the patience of one
is required. Don't judge a person until
you have walked the same river twice. Great anger
licks your neck. Don't bargain for fish, make friends
with the crocodile. The pain is sometimes still
in the water out in the midday sun. Two moons
in any man's moccasins qualifies you
as old school. Better to sit in a crooked river
than stand in a straight road. When the devil leaves
a lot of people act like saints. There's nothing so
eloquent as children in a graveyard.
Nothing takes patience like stamping out weeds.
Words without lips are arrows without a bow.
Guardian of milk, glare and growl and bark.
is required. Don't judge a person until
you have walked the same river twice. Great anger
licks your neck. Don't bargain for fish, make friends
with the crocodile. The pain is sometimes still
in the water out in the midday sun. Two moons
in any man's moccasins qualifies you
as old school. Better to sit in a crooked river
than stand in a straight road. When the devil leaves
a lot of people act like saints. There's nothing so
eloquent as children in a graveyard.
Nothing takes patience like stamping out weeds.
Words without lips are arrows without a bow.
Guardian of milk, glare and growl and bark.
Dust be fine
| Dust be fine. | Line be swift. |
| Death be wine. | Catch be drift. |
| Much be made. | Naught be now. |
| Touch be swayed. | Kiss be growl. |
| Swear by God. | Tear by swing. |
| Soul be sod. | Sweat be sing. |
| Grit be clear. | Bird be kind. |
| Grow by fear. | Be by mind. |
| Tame be time. | Tune be high. |
| Come be mime. | Tell be lie. |
| Go be swan. | Greet be gone. |
| Night be dawn. | Great be gone. |
Sunday, August 02, 2009
Ongoing
Webs and dust collected on books
I step on a crumb and it sticks my foot
A very old crumb
from the last administration.
How much for my
Achoo?
Not enough crumbs in the world.
I step on a crumb and it sticks my foot
A very old crumb
from the last administration.
How much for my
Achoo?
Not enough crumbs in the world.
Maroon Leaves
I haven't been myself of late
More like a stray
peering through the V of a tree
Maroon leaves
I forget so much what page I'm on
Alone in the living room with my wife
Dark smells of summer grass
Open window cars hiss
Reading her book reading mine
A jogger goes by —
Dear tree, What is sway? —
I go with her, like the blossoms.
More like a stray
peering through the V of a tree
Maroon leaves
I forget so much what page I'm on
Alone in the living room with my wife
Dark smells of summer grass
Open window cars hiss
Reading her book reading mine
A jogger goes by —
Dear tree, What is sway? —
I go with her, like the blossoms.
Proverbs of Heck (29)
You can’t write a novel on a monk’s bald skull
but you might try haiku. “Nothing sacred”
is a means to an end, not a license
to not give a shit. An end is a beginning.
Even the last out of the World Series
starts the off season. The ass begins the leg.
The last page of a book begins the real
thinking about it. Only death may be
really final, but how's that feed the poor?
When you check out the cherry blossoms don’t
fall in the pond. More than a hundred different
cherry tree varieties can be found in
Japan; knowing them all is its own reward.
Love is a blossom caressed by a sword.
but you might try haiku. “Nothing sacred”
is a means to an end, not a license
to not give a shit. An end is a beginning.
Even the last out of the World Series
starts the off season. The ass begins the leg.
The last page of a book begins the real
thinking about it. Only death may be
really final, but how's that feed the poor?
When you check out the cherry blossoms don’t
fall in the pond. More than a hundred different
cherry tree varieties can be found in
Japan; knowing them all is its own reward.
Love is a blossom caressed by a sword.
Proverbs of Heck (28)
The best songs implore us to show our bones.
Just because a person has a warrior's eyes
doesn't mean he's not a coward. It's not
in the seed, but in the deeds to be done.
“Does he hold you” like I want to? “Will he
ever bow down and die?” The words from a song
you never get to play for the one you meant
to play them for, those are the most dear, no?
I have a feeling you will agree with me
in time. Déjà vu. A few black check marks
cutting up the blue. I feel for you
is French for the things I want to do to you.
I is a proverb, a walking manifesto.
Who makes things only about himself is lost.
Just because a person has a warrior's eyes
doesn't mean he's not a coward. It's not
in the seed, but in the deeds to be done.
“Does he hold you” like I want to? “Will he
ever bow down and die?” The words from a song
you never get to play for the one you meant
to play them for, those are the most dear, no?
I have a feeling you will agree with me
in time. Déjà vu. A few black check marks
cutting up the blue. I feel for you
is French for the things I want to do to you.
I is a proverb, a walking manifesto.
Who makes things only about himself is lost.
Labels:
poems,
Proverbial Sonnets,
proverbs,
sonnets
Center
I walk behind them
up the sidewalk
between the tall buildings
and the short
past the bookstore
past the movie theater
past the bistro
past the pharmacy
we are at the center
and the center is on the move
stepping through sunlight
sweating through our shirts
someone is calling
my name I turn around
but no one is there
looking for me
up the sidewalk
between the tall buildings
and the short
past the bookstore
past the movie theater
past the bistro
past the pharmacy
we are at the center
and the center is on the move
stepping through sunlight
sweating through our shirts
someone is calling
my name I turn around
but no one is there
looking for me
Proverbs of Heck (27)
You can't cling to water. You can't cling to
fire. You can't cling to air. You can, of course,
cling to earth, but after the storm that has
you clinging in the first place passes, you
must make sure to wash yourself off. Some would
have you believe that poetry is more
important than soap. Look at Poetry Daily
and you will see way too many poems
still referencing “the gods” (if you don't believe
me, go to their archives now and sort by Poet).
Content yourself with rice; distract yourself
with tea. Despite all of the hubbub from
the other side, the President was just
another crab cake revolutionary.
fire. You can't cling to air. You can, of course,
cling to earth, but after the storm that has
you clinging in the first place passes, you
must make sure to wash yourself off. Some would
have you believe that poetry is more
important than soap. Look at Poetry Daily
and you will see way too many poems
still referencing “the gods” (if you don't believe
me, go to their archives now and sort by Poet).
Content yourself with rice; distract yourself
with tea. Despite all of the hubbub from
the other side, the President was just
another crab cake revolutionary.
Saturday, August 01, 2009
The Unconverted
I wouldn't say much, maybe “Oh, really,” as I raise my eyebrows
and nod my head, all the while thinking You're a crazy mother-
fucker and That deer didn't say shit. Oh, yes, I know, we're animals,
too: are you sure you didn't get down on all fours and rub noses?
and nod my head, all the while thinking You're a crazy mother-
fucker and That deer didn't say shit. Oh, yes, I know, we're animals,
too: are you sure you didn't get down on all fours and rub noses?
Yellow Explosion Fragment
The yellow explosion, a vortex
from the solar plexus
the yellow light of God or thoughts
of God, the yellow eye mask not over
closed eyes but over the exploded brow
a yellow face mask choker
under the lips reflecting
the yellow explosion, the vortex
the many people with their well-dressed backs turned
to the yellow burning of intuitive knowledge
the one with hands clasped over head
the human body as yellow and blue missile
projecting itself through granite cones
the yellow socks, suffering smiles
so far away from the dream-champion hands
from the solar plexus
the yellow light of God or thoughts
of God, the yellow eye mask not over
closed eyes but over the exploded brow
a yellow face mask choker
under the lips reflecting
the yellow explosion, the vortex
the many people with their well-dressed backs turned
to the yellow burning of intuitive knowledge
the one with hands clasped over head
the human body as yellow and blue missile
projecting itself through granite cones
the yellow socks, suffering smiles
so far away from the dream-champion hands
A Frog's Tale
I sat down on
a lily pad
next to Lorine
Neidecker. I
said The sky is
a laundromat,
and she wondered
how I knew that
and knew what got
rinsed and spun in
those sudsy clouds.
I croaked loudly
and then so did
she, silently.
a lily pad
next to Lorine
Neidecker. I
said The sky is
a laundromat,
and she wondered
how I knew that
and knew what got
rinsed and spun in
those sudsy clouds.
I croaked loudly
and then so did
she, silently.
A Mid-Summer's Regret
Outside the sun is bleeding over the earth—
that hot, that humid, that overstated.
I don't want to want the day to end, but I do.
The AC turns on and the dust dangling
from the filter flutters like a couple of cocoons
on a frail branch. In the spring you said
you were moving north, and then you did.
I remember the many bird squadrons that day
just before the zombies came wobbling up
over the hill and descended on us. It was
a good thing I had held onto Grandpa Charlie's
flamethrower—I had told you it would come in
handy someday. I saved our lives and now
I wish I had only saved yours and died a hero.
that hot, that humid, that overstated.
I don't want to want the day to end, but I do.
The AC turns on and the dust dangling
from the filter flutters like a couple of cocoons
on a frail branch. In the spring you said
you were moving north, and then you did.
I remember the many bird squadrons that day
just before the zombies came wobbling up
over the hill and descended on us. It was
a good thing I had held onto Grandpa Charlie's
flamethrower—I had told you it would come in
handy someday. I saved our lives and now
I wish I had only saved yours and died a hero.
Proverbs of Heck (26)
Form is emptiness and emptiness is
a mouthful. Poetry is water down
the wrong pipe. Life is a roller coaster
without any turns: what appear to be
turns are just optical illusions brought on
by an incomplete perspective. It's true.
I know my shit. As I'm sure you know yours.
A missed goodbye is lemon in the eye.
Love is a river you should make friends with
the crocodile. A smooth sea is not as
it ought to be. When ambition ends, cook
a small fish. Good fences give back to the earth.
Sorrow is a red wagon collecting rain.
Standing water means mosquitos.
a mouthful. Poetry is water down
the wrong pipe. Life is a roller coaster
without any turns: what appear to be
turns are just optical illusions brought on
by an incomplete perspective. It's true.
I know my shit. As I'm sure you know yours.
A missed goodbye is lemon in the eye.
Love is a river you should make friends with
the crocodile. A smooth sea is not as
it ought to be. When ambition ends, cook
a small fish. Good fences give back to the earth.
Sorrow is a red wagon collecting rain.
Standing water means mosquitos.
Proverbs of Heck (25)
At the supermarket one notices
an empty carriage makes the most noise.
Someone else's cookie always looks bigger.
A kitchen knife doesn't know the butcher's work.
Speak of the tiger, travel a thousand miles.
Talk nice to other people, even a dog
can recite a poem. Words have no wings
but there is a hole from which you can escape.
It's darkest beneath a mountain. There's no sleep
beneath a lampshade. Gather dust. Stay humble
to kill a fly. Wise men sleep with the door
lock broken. The thief hates a smiling face.
The rabbit's haste is born of fear; the turtle's
slowness, thought. The tiger keeps them moving.
an empty carriage makes the most noise.
Someone else's cookie always looks bigger.
A kitchen knife doesn't know the butcher's work.
Speak of the tiger, travel a thousand miles.
Talk nice to other people, even a dog
can recite a poem. Words have no wings
but there is a hole from which you can escape.
It's darkest beneath a mountain. There's no sleep
beneath a lampshade. Gather dust. Stay humble
to kill a fly. Wise men sleep with the door
lock broken. The thief hates a smiling face.
The rabbit's haste is born of fear; the turtle's
slowness, thought. The tiger keeps them moving.
Friday, July 31, 2009
Proverbs of Heck (24)
The soul of a two year old flies like an arrow.
Make a mistake and the mice inside the walls
will laugh. Even monkeys fall from the sky.
What is past is worth a thousand gold pieces.
A frog in a well does Buddha very well.
The clever hawk is a flower. If you don't
enter the tiger's den, it will be your master.
Pride is a blessing on the back of an ass.
The nail that sticks out might as well dance.
The pebble in the brook is always the stronger.
Silence surpasses the winds, the waves, and chance.
Wisdom and virtue get drunk and fight; take up
your hat and wish them good night. The tongue is
an unskilled physician. The mouth is a door in the wind.
Make a mistake and the mice inside the walls
will laugh. Even monkeys fall from the sky.
What is past is worth a thousand gold pieces.
A frog in a well does Buddha very well.
The clever hawk is a flower. If you don't
enter the tiger's den, it will be your master.
Pride is a blessing on the back of an ass.
The nail that sticks out might as well dance.
The pebble in the brook is always the stronger.
Silence surpasses the winds, the waves, and chance.
Wisdom and virtue get drunk and fight; take up
your hat and wish them good night. The tongue is
an unskilled physician. The mouth is a door in the wind.
Thursday, July 30, 2009
Proverbs of Heck (22)
The Queen of Hearts is a humorous soul;
the King of Hearts, a restless, hungry one.
The Jack just sits there looking handsome and dumb.
Every home is a house of cards: slam
the door and it collapses. Every door
slams eventually. I have nothing to say
and I'm no John Cage, so my silences are
especially awkward and dumb. Talking to plants
is like talking to God, except they're really there.
As taking care of animals is tending
to your soul, taking care of plants is fucking
with your mind. Bite an apple, taste the wealth.
Pad. Having something to say and not
being able to say it, that is Hell.
the King of Hearts, a restless, hungry one.
The Jack just sits there looking handsome and dumb.
Every home is a house of cards: slam
the door and it collapses. Every door
slams eventually. I have nothing to say
and I'm no John Cage, so my silences are
especially awkward and dumb. Talking to plants
is like talking to God, except they're really there.
As taking care of animals is tending
to your soul, taking care of plants is fucking
with your mind. Bite an apple, taste the wealth.
Pad. Having something to say and not
being able to say it, that is Hell.
Training Camp Time
You have to build your roster fifty-three deep.
You have to make plays on both sides of the ball.
Stick to your game plan and throw it out
the window. You have to make adjustments.
You just have to go out and execute
and do the things you get paid to do.
You have to establish the running game and stop
the big play. You have to open up the playbook
to keep the defense on their heels. You have to
air it out to stretch the field. You have
to have a couple of guys like that on your team:
guys who bring their lunch pail to work
every day ready to run into a brick wall.
You have to finish your blocks and fight for
the extra yards. You have to be quick off
the ball. You have to get penetration.
It's a game of inches. It helps when you have
an eternity to throw. You can't cough it
up like that. You want to play the game
on their side of the field. You just can't turn it over.
You have to make plays on both sides of the ball.
Stick to your game plan and throw it out
the window. You have to make adjustments.
You just have to go out and execute
and do the things you get paid to do.
You have to establish the running game and stop
the big play. You have to open up the playbook
to keep the defense on their heels. You have to
air it out to stretch the field. You have
to have a couple of guys like that on your team:
guys who bring their lunch pail to work
every day ready to run into a brick wall.
You have to finish your blocks and fight for
the extra yards. You have to be quick off
the ball. You have to get penetration.
It's a game of inches. It helps when you have
an eternity to throw. You can't cough it
up like that. You want to play the game
on their side of the field. You just can't turn it over.
Wednesday, July 29, 2009
What the Heck?
What is the omniscience of God again?
What is the oldest form of prayer? Why
break everything down? Under what circumstances
must Muhammad go to the mountain? But you could
comb your hair with a balloon, couldn't you?
What does it mean to pass the breathalyzer?
Why not an illegitimate masterpiece?
Forget love, what's the schizophrenia gene
got to do with it? Will you marry me, bitch?
Why is goodness such an awkward word?
Why is Lord Byron swimming the Hellespont
like passing a needle through the eye of a camel?
Why bother to jot things down? If you have to crawl
inside the octopus mind anyway wouldn't it
be better to be backed by an ideology
than to stick your fingers where they don't belong?
What is the oldest form of prayer? Why
break everything down? Under what circumstances
must Muhammad go to the mountain? But you could
comb your hair with a balloon, couldn't you?
What does it mean to pass the breathalyzer?
Why not an illegitimate masterpiece?
Forget love, what's the schizophrenia gene
got to do with it? Will you marry me, bitch?
Why is goodness such an awkward word?
Why is Lord Byron swimming the Hellespont
like passing a needle through the eye of a camel?
Why bother to jot things down? If you have to crawl
inside the octopus mind anyway wouldn't it
be better to be backed by an ideology
than to stick your fingers where they don't belong?
A Sociology of Games
after Edward Dorn
In soccer
when you do something good
one of the opposing team's fans
stabs one of your fans.
In american football
one of the opposing team's fans
stabs one of your fans
because he looked at him funny.
In soccer
when you do something good
one of the opposing team's fans
stabs one of your fans.
In american football
one of the opposing team's fans
stabs one of your fans
because he looked at him funny.
At the Hasty Poets Conference
I write hastily or not at all. I let the roots
dangle all over the place. I stop
to think and think so hard
I push my ballpoint pen into my thigh
without realizing it until I
take it out to start my high-sheen, low-cost
prose. Oh well, I go and on I go
words like carrots, dirty, frayed—no time
to spray them all around. The wood I cut
welcomes knots and bumps and how about's.
I'm a good will hunting terrier
who needs something to chase, rough
rough. I am afeared, spring storms
dangling steeple, walking talking do-nothing.
dangle all over the place. I stop
to think and think so hard
I push my ballpoint pen into my thigh
without realizing it until I
take it out to start my high-sheen, low-cost
prose. Oh well, I go and on I go
words like carrots, dirty, frayed—no time
to spray them all around. The wood I cut
welcomes knots and bumps and how about's.
I'm a good will hunting terrier
who needs something to chase, rough
rough. I am afeared, spring storms
dangling steeple, walking talking do-nothing.
Proverbs of Heck (21)
The first thing to do to get through the door
is open it. Folk wisdom is the dipping sauce
for the shrimp of our wants. Don't close the window
on your fingers. When hot water pipes knock
people listen, until they're used to it,
then they stop. The body is a rocket ship
piloted by a Bonobo. “Uh oh”
is code for “Come here and kiss me.” The light
at the end of the tunnel, as they say at work,
is a train, but what's interesting is that
it sounds more like a noisy vacuum cleaner.
First thought, best thought, but words written in haste,
such as these, are probably not worth reading.
So I'm not going to finish this. You are.
is open it. Folk wisdom is the dipping sauce
for the shrimp of our wants. Don't close the window
on your fingers. When hot water pipes knock
people listen, until they're used to it,
then they stop. The body is a rocket ship
piloted by a Bonobo. “Uh oh”
is code for “Come here and kiss me.” The light
at the end of the tunnel, as they say at work,
is a train, but what's interesting is that
it sounds more like a noisy vacuum cleaner.
First thought, best thought, but words written in haste,
such as these, are probably not worth reading.
So I'm not going to finish this. You are.
Vaughn to Dash
Yellow is the color of sun.
Yellow is the color you can use.
What do you want that's yellow?
I'll draw.
Yellow is the color you can use.
What do you want that's yellow?
I'll draw.
Tuesday, July 28, 2009
Proverbs of Heck (20)
Shadows across the window mean something
is moving. Look away from danger to see
it does no good. The barking dogs make fine
alarms, but sleeping cats are less annoying.
I'd rather be ringmaster for a circus
of fleas than be the lord of the flies. Better
to die in the driver's seat, and with no one
you love in the passenger seat beside you,
than to die at home watching Rusty Wallace.
Headlights lead and the steering wheel follows.
Don't press the gas pedal with your left foot
unless your right one is paralyzed or lost.
From darkness to fire's an amazing leap.
Put down the light and turn yourself in to sleep.
is moving. Look away from danger to see
it does no good. The barking dogs make fine
alarms, but sleeping cats are less annoying.
I'd rather be ringmaster for a circus
of fleas than be the lord of the flies. Better
to die in the driver's seat, and with no one
you love in the passenger seat beside you,
than to die at home watching Rusty Wallace.
Headlights lead and the steering wheel follows.
Don't press the gas pedal with your left foot
unless your right one is paralyzed or lost.
From darkness to fire's an amazing leap.
Put down the light and turn yourself in to sleep.
Proverbs of Heck (19)
One person's joy is another's disease.
Cover your mouth when you cough in this world.
You gotta believe: there's gold in your sneeze.
Swallow a clam and you swallow a pearl.
Thorns are like horns right down to the T's.
Life is a desert and death its mirage.
Some folks climb mountains, others climb trees.
One person's trash is another's garbage.
The day is a bouquet of razors to seize:
it bloodies your hand, but is worth it for sure.
The night, that coquette, is a twittering tease.
Love can speak clearly through a mouthful of fur.
The one who resents you always says please.
The one who torments you says it's a breeze.
Cover your mouth when you cough in this world.
You gotta believe: there's gold in your sneeze.
Swallow a clam and you swallow a pearl.
Thorns are like horns right down to the T's.
Life is a desert and death its mirage.
Some folks climb mountains, others climb trees.
One person's trash is another's garbage.
The day is a bouquet of razors to seize:
it bloodies your hand, but is worth it for sure.
The night, that coquette, is a twittering tease.
Love can speak clearly through a mouthful of fur.
The one who resents you always says please.
The one who torments you says it's a breeze.
The Leprechaun-Eating Ogre's Song
I'm a leprechaun-eater.
I eat leprechauns.
Breakfast, lunch, and dinner,
and all night long.
I eat them in their hats.
I eat them in their boots
I eat their long red beards
and each shiny little tooth.
I eat them by themselves
or in belt-buckle stew.
They go great with cloverade
or with rain water dew.
I'm a leprechaun-eater.
I eat leprechauns.
Breakfast, lunch, and dinner,
and all night long.
I eat them in the rain.
I eat them in the sun.
I eat them in their caves
with their gold on a bun.
I eat them like ice cream
on sweetened shamrock cones.
I savor every bit of
their lucky rainbow bones.
I'm a leprechaun-eater.
I eat leprechauns.
Breakfast, lunch, and dinner,
and all night long.
I eat them any season.
I eat them hot or cold.
I eat them for no reason.
I eat them young and old.
I eat them when I'm smiling.
I eat them when I'm down.
I eat them when I'm upset
that they treat me like a clown!
I'm a leprechaun-eater.
I eat leprechauns.
Breakfast, lunch, and dinner,
and all night long.
I eat leprechauns.
Breakfast, lunch, and dinner,
and all night long.
I eat them in their hats.
I eat them in their boots
I eat their long red beards
and each shiny little tooth.
I eat them by themselves
or in belt-buckle stew.
They go great with cloverade
or with rain water dew.
I'm a leprechaun-eater.
I eat leprechauns.
Breakfast, lunch, and dinner,
and all night long.
I eat them in the rain.
I eat them in the sun.
I eat them in their caves
with their gold on a bun.
I eat them like ice cream
on sweetened shamrock cones.
I savor every bit of
their lucky rainbow bones.
I'm a leprechaun-eater.
I eat leprechauns.
Breakfast, lunch, and dinner,
and all night long.
I eat them any season.
I eat them hot or cold.
I eat them for no reason.
I eat them young and old.
I eat them when I'm smiling.
I eat them when I'm down.
I eat them when I'm upset
that they treat me like a clown!
I'm a leprechaun-eater.
I eat leprechauns.
Breakfast, lunch, and dinner,
and all night long.
Buzz Buzz
What if we look for a bee? (Buzz buzz.)
What if we look for a fly? (Buzz buzz.)
What if we catch one? What if we try
to make him go bye bye?
A bee by the window,
a fly by the door,
one by the ceiling,
and one by the floor.
What if we look for a bee? (Buzz buzz.)
What if we look for a fly? (Buzz buzz.)
What if we catch one? What if we try
to make him go bye bye?
A bee by the wall
bouncing with some force,
a fly in the corner
careening back and forth
What if we look for a bee? (Buzz buzz.)
What if we look for a fly? (Buzz buzz.)
What if we catch one? What if we try
to make him go bye bye?
Buzzing by our ears,
a fly or a bee?
Shoe him to the window,
maybe he'll go free.
What if we look for a fly? (Buzz buzz.)
What if we catch one? What if we try
to make him go bye bye?
A bee by the window,
a fly by the door,
one by the ceiling,
and one by the floor.
What if we look for a bee? (Buzz buzz.)
What if we look for a fly? (Buzz buzz.)
What if we catch one? What if we try
to make him go bye bye?
A bee by the wall
bouncing with some force,
a fly in the corner
careening back and forth
What if we look for a bee? (Buzz buzz.)
What if we look for a fly? (Buzz buzz.)
What if we catch one? What if we try
to make him go bye bye?
Buzzing by our ears,
a fly or a bee?
Shoe him to the window,
maybe he'll go free.
The Old Man and the Sea
Don't despise me
for my mistakes,
poet of the sea
and sky high stakes,
despise me for
the way I keep
my boat near shore
to troll the deep.
for my mistakes,
poet of the sea
and sky high stakes,
despise me for
the way I keep
my boat near shore
to troll the deep.
Proverbs of Heck (18)
The will of the people seesaws up and down;
a fallen leaf will change its collective mind.
The light of the moon is borrowed from the sun.
Stargazing is an easy way to love
the world; fighting for social justice, not
so much. Subtlety is sinewy, swaying
as if by eyes. Bluntness blows its kisses
across a crowded room. How do you like
me now? The innocent wonders aloud.
Nobody speaking, nobody addressed.
The light of the sun is borrowed by the moon.
Stick your hand in with the electric eel
and you will feel “all sorts of things.” An itch
that can't be scratched is the will of the people.
a fallen leaf will change its collective mind.
The light of the moon is borrowed from the sun.
Stargazing is an easy way to love
the world; fighting for social justice, not
so much. Subtlety is sinewy, swaying
as if by eyes. Bluntness blows its kisses
across a crowded room. How do you like
me now? The innocent wonders aloud.
Nobody speaking, nobody addressed.
The light of the sun is borrowed by the moon.
Stick your hand in with the electric eel
and you will feel “all sorts of things.” An itch
that can't be scratched is the will of the people.
Monday, July 27, 2009
Thirteen Things I Did Today
Started Invisible
Spat in the sink
Drove like an ass
Vetted app files
Requested finals
Took two ibuprofen twice
Ate at my desk
and laughed at the Dilbert
where his boss is a ficus
Cleared the table
Washed a glass
Scooped out dessert
Read to Dash
Tucked in Vaughn
Left Invisible at work
Spat in the sink
Drove like an ass
Vetted app files
Requested finals
Took two ibuprofen twice
Ate at my desk
and laughed at the Dilbert
where his boss is a ficus
Cleared the table
Washed a glass
Scooped out dessert
Read to Dash
Tucked in Vaughn
Left Invisible at work
Remedy
You probably already need to burn
more than you know
and know that in order to lose
you need to consume
Stand while talking on the phone
burn while reading the paper
Pacing's an even better desk
while you work the same results
Reach for the pass on the getting used
Move black around in coffee
and stimulate green tea
phasing out complex omnivorous counterparts
It's the hours makes the peppers hot
Drink ice your body in a day
That coffee and tea mentioned before
there's such a thing as drastic
Shivering burns glasses of loss
run away with this idea
if you get yourself sick
overboard the weight you can burn your body
more than you know
and know that in order to lose
you need to consume
Stand while talking on the phone
burn while reading the paper
Pacing's an even better desk
while you work the same results
Reach for the pass on the getting used
Move black around in coffee
and stimulate green tea
phasing out complex omnivorous counterparts
It's the hours makes the peppers hot
Drink ice your body in a day
That coffee and tea mentioned before
there's such a thing as drastic
Shivering burns glasses of loss
run away with this idea
if you get yourself sick
overboard the weight you can burn your body
Proverbs of Heck (17)
Be mindful of the space you occupy
and be careful who you quote. Even genius
requires context. The heart of a fool is gold;
the heart of wisdom's more like crumpled paper.
Hope is the resin of time; roll it up into
a ball and smoke it. You can light a candle
to find your way when the power is out
or to enjoy the scent while you take a bath
or just to melt the wax because you're bored,
fourteen, and don't have any beer or pot.
Poor Richard's Almanack makes a hell of
a school. Reading to children is righteousness;
reading to adults is close to self-importance.
Reading alone is electric company.
and be careful who you quote. Even genius
requires context. The heart of a fool is gold;
the heart of wisdom's more like crumpled paper.
Hope is the resin of time; roll it up into
a ball and smoke it. You can light a candle
to find your way when the power is out
or to enjoy the scent while you take a bath
or just to melt the wax because you're bored,
fourteen, and don't have any beer or pot.
Poor Richard's Almanack makes a hell of
a school. Reading to children is righteousness;
reading to adults is close to self-importance.
Reading alone is electric company.
Sunday, July 26, 2009
Proverbs of Heck (16)
The hand that rocks the cradle is arbitrary.
The tigers and lambs, arbitrary. The dogs
and fires, the eggs and goats, arbitrary.
A stitch in time saves something arbitrary.
The deer crossing the road is arbitrary.
The point size and leading is arbitrary.
The right key, the right tempo, the right words,
arbitrary, though music has charms to soothe
the arbitrary. What a Pisces is is arbitrary.
A three-legged dog is the arbitrariness
of God. The road by the lake is arbitrary,
but the desires that draw the insects there
are not quite. The lamp in the lighthouse
is arbitrary — but sailing toward it is not.
The tigers and lambs, arbitrary. The dogs
and fires, the eggs and goats, arbitrary.
A stitch in time saves something arbitrary.
The deer crossing the road is arbitrary.
The point size and leading is arbitrary.
The right key, the right tempo, the right words,
arbitrary, though music has charms to soothe
the arbitrary. What a Pisces is is arbitrary.
A three-legged dog is the arbitrariness
of God. The road by the lake is arbitrary,
but the desires that draw the insects there
are not quite. The lamp in the lighthouse
is arbitrary — but sailing toward it is not.
Proverbs of Heck (15)
In the proverbial tree, carve your name
and the name of someone you love: that's the start
of a poem but also the start of forgetting.
The present is lost in the anthology
of the future. Time is a reoccurring theme
just look at the clock. Every damn poem's the same.
The eight-legged mind of the octopus knows:
no one is healthy, no one is wealthy,
and almost no one is wise. It's a matter
of perspective: A stitch in the eye stings like hell.
Everything else is arbitrary. The bus
arrives on time or it doesn't. You make it
to work on time or you don't. You climb the tree
you thought you couldn't — only to fall out.
and the name of someone you love: that's the start
of a poem but also the start of forgetting.
The present is lost in the anthology
of the future. Time is a reoccurring theme
just look at the clock. Every damn poem's the same.
The eight-legged mind of the octopus knows:
no one is healthy, no one is wealthy,
and almost no one is wise. It's a matter
of perspective: A stitch in the eye stings like hell.
Everything else is arbitrary. The bus
arrives on time or it doesn't. You make it
to work on time or you don't. You climb the tree
you thought you couldn't — only to fall out.
Dash's List of What He Loves
Trains
Trucks
Mommy
Daddy
Vaughny
Sharma
Everybody in the world
Wet floor signs
Trucks
Mommy
Daddy
Vaughny
Sharma
Everybody in the world
Wet floor signs
Proverbs of Heck (14)
You can't swat a fly with a belief system
unless it's Brechtian. Don't stick your fingers
in a bull's nostrils unless you want to fly.
You don't grab a rose by its thorns unless
you're like a vampire temptress or something.
Every man has sheep's clothing in his closet.
The road of excess is strewn with animal
metaphors but so is the palace of wisdom.
The car-chasing dog is the spirit of opposition;
those big black pretzels were his legs.
When sea-nymphs hourly ring my bell: ding-dong,
heaven — oh, knell? — then make it: ding-dong, hell.
Sing about whiskey, sing about glue. It will
cohere. But only if most of it rings true.
unless it's Brechtian. Don't stick your fingers
in a bull's nostrils unless you want to fly.
You don't grab a rose by its thorns unless
you're like a vampire temptress or something.
Every man has sheep's clothing in his closet.
The road of excess is strewn with animal
metaphors but so is the palace of wisdom.
The car-chasing dog is the spirit of opposition;
those big black pretzels were his legs.
When sea-nymphs hourly ring my bell: ding-dong,
heaven — oh, knell? — then make it: ding-dong, hell.
Sing about whiskey, sing about glue. It will
cohere. But only if most of it rings true.
The Digital Compositor’s Secret Handbook
Be mindful of the baseline grid: set it up
but don’t lock to it. In the digital age
letterspacing’s OK: what readers can’t see
won’t distract them. Ligatures are like friends:
kids, too, will understand them. Feathering best
be saved for newsletters and mass markets,
but doing it most judiciously in a trade
such as The Essential Guide to Prescription Drugs
is not all bad so long as it’s inconspicuous.
A clean coded document should account
for ellipses, em dashes, the spacing between
single and double quotes, accents, diacritics,
and art callouts. To lose a page in a tight
chapter in order to make a signature—
don’t use scaling even then—use stealth
kerning and justification, and don't share what you've done.
but don’t lock to it. In the digital age
letterspacing’s OK: what readers can’t see
won’t distract them. Ligatures are like friends:
kids, too, will understand them. Feathering best
be saved for newsletters and mass markets,
but doing it most judiciously in a trade
such as The Essential Guide to Prescription Drugs
is not all bad so long as it’s inconspicuous.
A clean coded document should account
for ellipses, em dashes, the spacing between
single and double quotes, accents, diacritics,
and art callouts. To lose a page in a tight
chapter in order to make a signature—
don’t use scaling even then—use stealth
kerning and justification, and don't share what you've done.
Subscribe to:
Posts (Atom)
.jpg)

